Reason 11 unveils a bunch of new stuff – and the company that brought you ReWire is finally lets you use Reason as a plug-in. Oh, also – that company is no longer “Propellerhead.”
This is the most news from the Props in a single day for a while, at least in my recent memory. Let’s do the run-down.
Reason 11 is coming, with some changes to how it’s delivered:
- Reason 11 is in beta now, coming September 25.
- Reason will come with a plug-in covering just instruments, effects, and sounds, called Reason Rack (VST3 in September, AU later this year).
- There’s now a Suite version, which adds 16 of their own Rack Extensions (including one new addition).
- New pricing – Reason Intro (€79), Reason (€349) and Reason Suite (€549).
Buried in the fine print, Suite gets you – Scenic Hybrid Instrument [new], Complex-1 Modular Synth, Umpf Club Drums, Umpf Retro Beats, Reason Electric Bass, Reason Drum Kits, Processed Pianos, Layers Wave Edition, Layers, Parsec Spectral Synthesizer, Radical Keys, Polar Dual Pitch Shifter, Rotor Rotary Speaker, PolyStep Sequencer, Quad Note Generator, Drum Sequencer.
To me, having the Buchla-inspired Complex-1 modular, the step sequencer and quad note generator, Drum Sequencer, and Parsec are enough for me to recommend Suite to enthusiast producers. Those are already to me the main reason to fire up Reason these days.
Reason 11’s availability as a plug-in is the feature that will get everyone’s attention in the new release, but there are a lot of improvements to functionality.
New features and devices:
- There are a bunch of new devices: Chorus Ensemble, Sweeper Modulation, Master Bus Compressor, Channel Dynamics, and Channel EQ (the last three emulating landmark analog gear – and adapted from the existing mixer, but now possible to use in Combinator patches and the new plug-in)
- Curved automation and audio clip crossfades (finally is definitely called for here)
- Improved vertical zoom
- New MIDI editing features (mute, multiple notes, selection enhancements)
- Scenic Hybrid Instrument is a “cinematic dream machine.” It feels a little bit like a Swedish take on Omnisphere, with a fresh Nordic UI but – will check it out soon.
So, to translate there – Reason 11 gives you the ability to use another DAW, but it also gives you a bunch of reasons not to do that. Finally having curves and automation, plus rounding out the dynamics processing options, should make doing your track inside Reason way more fun.
Propellerhead is dead. Long live Reason Studios. There’s no actual corporate change here, but there is a name change: the company we know as Propellerhead will now be Reason Studios. Plus, there’s a new logo, which reminds me of time spent playing Q*bert. Here, let me demonstrate:
@!*?@! is something you’ll hear me say sometimes while working.
What’s it all mean?
So, fast take on this – all of this was a long time coming. And it’s great news for loyal Reason users.
The plug-in idea is a long time coming. ReWire was a clever idea, and it introduced at least some producers to the idea of combining different tools. It let you use Reason as a rack of instruments and effects in a DAW – and originally at a time when Reason’s own arrangement and audio facilities were limited. But ReWire hasn’t really survived as a technology, as operating systems advanced and security changes even make it untenable. (As far as I know, ReWire won’t even be possible in the imminent next version of macOS.)
Meanwhile, a plug-in does what you really need, by letting you keep your favorite instrument/effect racks inside software like Ableton Live. FL Studio already does this, so it’s not even uncharted territory, and those FL users seem really happy with it.
This also means that Reason’s excellent console tools and West Coast modular instrument are available in your DAW, which is a big deal – just to name two examples, among many. (I can’t wait to use the Complex-1 everywhere.)
The demise of Propellerhead as a name is a little bittersweet for all of us. The name Propellerhead was quirky, unique … “Reason” we’ve gotten used to, even if there was already a “Logic.” But sure, the logo looks overly 1990s, and there was always this Web domain problem of the company Propellerhead being at Propellerheads.se (plural).
And Propel– uh, Reason Studios – really has just one product. After unsuccessful efforts in hardware (an audio interface that never took off), plus Web and services (that effort was spun off as Alihoopa, then shuttered this year), the company is focusing on the one tool that never fails. That’s Reason, plus the flourishing ecosystem of instruments and effects that sits on top of it. And people really stick with the name of the tool they use every day – Pro Tools, “Ableton” (since most people don’t call it “Ableton Live”), Cakewalk (not SONAR, not 12 Tone Systems – eep).
This has been an end of an era for the company in a lot of ways – CEO and co-founder Ernst Nathorst-Böös turned over the reins to Niklas Agevik in June.
Now, the one big disappointment to me is, it still sounds like Reason lacks a proper scalable interface. I expect that will be a major architectural change, since it also will impact Rack Extensions. But it’s needed, and I’ll try to find out more.
Otherwise, Reason 11 looks like another compelling release from a company that continues to inspire passion in its users.
Product manager Mattias Häggström Gerdt weighs in:
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