It’s Eurorack without the big rack. Or rack modular that thinks it’s desktop. In any event, if you ever found a module or three you wanted to use without getting a big rack, or quick portability for a beloved module, 4ms may have a solution for you: 4ms Pods.
They’re cute. They’re cheap. They’re daisy-chainable. So if you don’t want that “cockpit” / “I’m outfitting a submarine command center” look, now you can take modules and put them in little handheld boxes you can move around, mix with desktop synths and effects, guitar pedals – whatever.
The daisy-chainable power designed just for this range also mean that you can put together a handful of pods pretty economically, since you only need to buy one with power supply. The pricing – the number being the size in hp, of course:
The purpose of ‘TEST SERIES’ is to focus on the sound design possibilities of various gear combinations. This series is not musical nor does it serve as an instructional video. It is all about sound potential.
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“Three really great modules from 4ms, who I might as well admit always have some of the best Eurorack designs around. This is more or less a mini-series of sorts. The Shuffling clock multiplier, Stereo Triggered Sampler and Tapographic Delay, might as well watch them all since there won’t be another video till October 30th BWAHAHAHAAHHAHAAHAH!
“By popular demand! Learn how to solder a Eurorack Module (a 4MS Shuffling Clock Multiplier) in an easy step-by-step guide. Includes of detailed closeup shots and great tips for beginners and advanced viewers alike. Hope you like it!”
Software modulars are the new hardware modulars. And a steeply discounted summer sale from Softube might mean it’s time to reconsider their offering.
Softube Modular is a beautiful, complete emulation of modular tools on a computer screen. It’s demanding – you’ll want a recent computer with decent specs and updated software – but stable. The problem is, even though it’s a lot cheaper than buying “Eurocrack” hardware, I suspect the price turned some off. A hundred bucks is actually a great deal for a bunch of modules in software, but then some add-on modules cost nearly as much as just the base platform. And a lot of users may already have something like Reaktor already installed, with its free user library, or the free VCV Rack and its free and inexpensive add-ons.
But wait a minute – now all those prices are slashed for summer, presumably because normal people in the northern hemisphere are out, like, at the beach or something.
And now it’s worth giving Modular a second look. US$89 is great; $45 is must-buy. And some of those lavish modules you might have thought were out of reach start to look tempting, too.
So here’s why you might want to think about Modular, even with other offerings available.
All those modules are available virtually, via a friendly selector.
It’s the most stable, polished software, coming closest to the hardware experience. Nothing comes this close to hardware, down to the Doepfer modules that defined the Eurorack format. And while Reaktor is also stable and mature, it doesn’t have front panel patching or other expected modular features. VCV Rack is wonderful, but it’s also a bit of a Wild West of weird developer modules, constant updates, and frequent development. (In some sense, maybe it should be that way, as the open source and experimental offering – but then Softube is worth investigating when you need something stable and reliable.) And tools like Pd and SuperCollider are just, well, geekier and more DIY. (Also nice, but a different experience.)
It’s got all the basics. This isn’t in Reaktor or VCV. Doepfer’s modules are vanilla, but by design – they’re ideal for learning synthesis and getting creative with your actual patch rather than the module designer doing it for you. In addition to Softube’s built in utility modules for dealing with clock and control signal and MIDI and the like, you also get the full range of Doepfer essentials. (A-110-1 VCO, A-108 VCF, A-132-3 Dual VCA, A-140 ADSR, A-118 Noise/Random, A-147 VCLFO, A-114 Ring Modulator)
There’s full plug-in support. VST, VST3, Audio Unit, and AAX Native formats for Mac and Windows mean you can drop it in your existing DAW.
You can set it up for live performance. There are a lot of interface details that make this, bar none, the easiest-to-use computer implementation of modular environment – and arguably far easier and more convenient than actual hardware. (Ducks) But one of the most important is the ability to design your own performance panels and consolidate lots of parameters into a few – essentially combining the performance friendliness of desktop synths with the patchability of modular.
It might be worth splurging on deluxe add-ons. It’s a bit funny to buy a software module for the price of a decent, say, guitar pedal in the real world. But if Softube wanted our money, they sure picked some nice ones – Mutable Instruments Clouds, the Buchla 259e Twisted Waveform Generator, and the gorgeous 4ms Spectral Multiband Resonator (SMR) are on a lot of our “if I only had money” hardware wishlist. So whereas the prices might have stopped you before, now at $29, $69, and $35, respectively, you might change your mind. (There are some fine Intellijel offerings, too.)
There’s integrated hardware control with NI and ROLI gear. Support for Native Instruments’ NKS format means you can dial up presets and parameter controls – with on-screen text labels – on both the Komplete Kontrol and Maschine. (Maschine might be ideal, actually, because it also includes handy scene and pattern support, making Softube viable live.) ROLI’s Seaboard RISE – the squishy futuristic keyboard – might seem bonkers when you just want to play a grand piano solo, but out-of-box support here with modulars totally makes sense, too.
Softube have equipped some of their other tools to run inside Modular. Buy Softube’s EQ tools or their lovely Heartbeat drum synth, and you can use them in the Modular environment, too.
All in all, it’s a lovely package; I hope to spend more time in the rest of summer and fall diving in myself, so I’ll try to write y’all back if I can tear myself away from the patches. (Uh oh.)
“I’ve been drooling over the Moog DFAM and Sub-harmonicon, so I thought I’d try to imitate some of their functionality.
The bass parts are created using a standard sawtooth wave, which is fed into the gate input of both sides of the Corsynth Dual Loopable Envelope, thereby creating a new waveform based off the pitch of the original oscillator. Then by