Finish music faster in Ableton Live 10 with these Arrangement View tips

Ableton Live is best known for its Session View grid, but the faster you are with Arrangement View, the more fluidly you can compose finished tracks. I put together a quick reference tutorial to help you work faster.

I’m pleased for this project to get to partner with Riemann Kollektion here in Berlin. Virtuoso techno producer and DJ/live act Florian Meindl heads Riemann as a label for sound content, mastering, nerdy apparel, and now various resources for honing your craft. Riemann is really a story in itself – it’s the natural evolution of electronic music business, catering to a world with more producers and DJs. Instead of lamenting the proliferation of music makers and the diminishing value of records, Florian is adapting, by serving that new market, while still remaining focused on the artists and sound of underground techno.

To me, being able to work quickly in a DAW means the power to make the tool disappear. It means shortening the distance between an idea and its execution. And Ableton have made some significant workflow changes in Live 10 and Live 10.1, which mean this is worth revisiting.

My basic strategy is this:

  • Exploit Scenes in Session View to make your basic song structure
  • Map parameters so you can not only mix, but tweak devices in real time
  • Learn the latest keyboard shortcuts to focus the display on your work, without mousing around
  • Adjust envelopes more directly and draw shapes
  • Use time operations and bounces to make big changes

I also point to some third-party tools that add additional power and control.

Check out the full tutorial:

Tutorial: Super Fast Arrangement in Ableton Live 10

And I’d love your feedback on additional tips to add. (Florian and I will keep updating it.) Plus if there’s another tool you’d like to see covered, let us know – especially if you’ve worked out some tips in your tool of choice.

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The ABCs of Live 10.1: 2 minutes of shortcuts will help you work faster

A is for Ableton Live – and Madeleine Bloom can get you up and running with a bunch of 10.1 shortcuts in just over two minutes.

Madeleine of Sonic Bloom is one of the world’s top experts for staying productive in Live (to say nothing of helping us re-skin the thing so the colors are the way we want).

Live 10.1 actually added a lot of shortcuts to save you time – it’s what 10 promised, but implemented in a way that makes more sense. And she plows through them in a hurry:

via SonicBloom, which has loads more

F lets you get at fades right away.

H makes everything fill space vertically in the Arrangement so you don’t have to squit.

My personal favorite – Z, which zooms right to what’s selected and fills the Arrangement so you can focus and see easily.

And more…

This is all so much better than hunting around.

Z is so much my favorite that it just earned this:

For more on Live 10.1 and how to get started:

Ableton Live 10.1 is out now; here are the first things you should try

The post The ABCs of Live 10.1: 2 minutes of shortcuts will help you work faster appeared first on CDM Create Digital Music.

Free Downgrade turns Ableton Live into lo-fi wobbly vaporwave tape

Fidelity? High-quality sound? No – degradation! And if you don’t have a ragged VHS deck or cassette Walkman handy, these free effects racks in Ableton Live will sort you out.

Downgrade is the work of Tom Cosm, long-time Ableton guru. There are five effects:

Fluffer
Corrupt
Hiss
Morph
Flutter

— plus if you give him literally US$1 or more (you cheapskate), you get an additional Stutter rack.

Basically, you get loads of controls for manipulating downsampling, tape effects, saturation, distortion, modulation of various kinds, echo, vocoder, and more. It’s a sort of retro Vaporwave starter kit if you’d like to think of it that way – or an easy, dial-up greatest hits of everything Ableton Live can now do to make your sound worse. And by worse, I mean better, naturally.

Ableton have been gradually adding all these digital downsampling features (early on) and simulated analog tape and saturation effects and nonlinear modulation (more recently). Tom has neatly packed them into one very useful set of Racks.

Notice I say “Racks,” not Max for Live devices. That means these will mostly run on different editions of Live, and they’re a bit easier to pick apart and adjust/modify – without requiring Max knowledge.

Go download them:

https://gumroad.com/l/wmIbJ

The post Free Downgrade turns Ableton Live into lo-fi wobbly vaporwave tape appeared first on CDM Create Digital Music.

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Ableton Intros Free Creative Extensions For Live 10

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We talked with Dylan Wood, Ableton’s Product Owner for Sound, about what’s changed with the devices, instrument packs and sounds in Live 10.… Read More Inside Ableton Live 10 Sounds & Devices With Dylan Wood