Save 75% off MRhythmizerMB time manipulation plugin by MeldaProduction!

VST Buzz MRhythmizerMB

VST Buzz has launched a sale on MRhythmizerMB, offering a 75% discount on the unique time manipulation effect plugin by Meldaproduction. From Gating to Glitching, Repeating Hits to Scratching, all with stunning audio quality and up to 6 distinct bands, that’s “MRhythmizerMB”. A unique time manipulation effect that uses an integrated sequencer to control Time, […]

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TBProAudio updates gEQ12 graphic equalizer plugin to v2.0

TBProAudio gEQ12 2

TBProAudio has updated its gEQ12 stereo/MS graphic equalizer to version 2.0. The update includes many under-the-hood improvements and new features. gEQ12 is a 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the […]

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Fuse Audio Labs releases Federal AM-864/U vari-mu tube compressor/limiter plugin

VCL-864U

Fuse Audio Labs has launched its latest effect plugin VCL-864U, an uncompromising recreation of the iconic Federal AM-864/U tube limiter packed with powerful added controls and capabilities. This plugin is primed and ready to do incredible things for your mixes, but believe it or not, the limiter it’s modeled after has its roots placed firmly […]

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Gig Performer 3 debuts at NAMM 2019, update adds Setlists, Chord Pro & more

Deskew Technologies Gig Performer V3

At this year’s NAMM show, Deskew Technologies will be debuting version 3 of Gig Performer, the VST/VST3/AU live performance plugin host for Windows and Mac. Renowned for its rock-solid stability, low CPU usage, ease of use, and flexibility, Gig Performer 3 adds a bevy of powerful new capabilities, especially to the program’s control features. The […]

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Master your Roland TR-8S drum machine settings with a plug-in editor

Roland’s TR-8S added loads of parameters for shaping drum kits and effects. Now you can get at all of those without diving through menus with this VST/AU plug-in – and keep your drum machine settings stored with your project.

Hardware is great, but it introduces two problems. First, there are inevitably some parameters buried in menus that are hard to reach on the front panel, no matter how many knobs and faders makers add. Second, stuff you do on the hardware is likely to get out of sync with your DAW, leading to that invariable “what the Hell was this supposed to be?” feeling when you power things up. (Okay, sometimes that leads to happy accidents. Sometimes it just leads to misery.)

Momo Miller has been trucking through the full Roland range (plus KORG and Novation Circuit). He’s been adding plug-ins for just this reason. You get more accessible editing and control, and your settings stay inside your DAW projects for easy recall.

Now, first, what this isn’t: it isn’t a full-blown editor for the TR-8S. And it’s a shame, given Roland Cloud, that the manufacturer didn’t provide one. That also means loading custom samples on the TR-8S is a manual affair. This unofficial editor isn’t able to load sample files. And you don’t get full access to all of the TR-8S’ hidden parameters, like the deep settings per kit. So, Roland, if you’re listening – please, give us that.

You do, however, get a lot of access to parameters per sound and kit – basically, anything that has a MIDI CC assignment. And you can still save your changes on the hardware, for anything this controls. Plus you can save parameters separately in software. And there are some useful performance controller mappings.

Here’s what you get:

  • Full access to TR-8S parameters (as accessible via MIDI)
  • Control effects via custom-mapped X/Y performance controllers
  • Automation of parameters inside your DAW
  • Save parameter data with your DAW – including which kit was selected, which is invaluable on its own
  • Interactive visual display
  • 32-bit and 64-bit VST (Windows, Mac) AU (Mac) and standalone (Windows, Mac) versions

Have a look:

Price: 5,90€ / US$6.90

TR-8S editor/controller

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Auditory Lab releases Amplified Guitars: Stratocaster, Telecaster & Les Paul in a virtual instrument

Audiority Labs Amplified Guitars

Auditory Lab’s latest virtual instrument Amplified Guitars features the sounds of three different types of electric guitars: Stratocaster, Telecaster and Les Paul. It has three instrument channels and each guitar is given its own controls with pan and volume. The main panel features 4 master knobs that controls release, attack, pan and volume. The Effects […]

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Wusik releases EVE 5 virtual synth instrument (VST/AU)

Wusik EVE 5

Wusik has announced the release of EVE 5, an update to the “Electronic Vintage Ensemble” synthesizer instrument. Wusik EVE has been a great plugin for quick sound creation, with a simpler interface, when compared to Wusik Station and Wusik 8008. But sadly it has been forgotten in time and never got a proper update for […]

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SoundSpot launches Ravage multi-mode distortion at up to 83% OFF

SoundSpot Ravage

SoundSpot has launched the new Ravage multi-mode distortion effect plugin for Windows and Mac. Following the release of Ravage Lite, its big brother features six types of distortion, filtering and gain, and plenty of modulation option with custom-drawn LFO shapes. Select from six modelled distortion algorithms: Tube, Digital, Diode, Linear Fold, Zero Sq and Rectify, […]

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Voxengo updates Warmifier analog tube/valve effect plugin to v2.2

Voxengo Warmifier 2.2

Voxengo has released an update to the Warmifier audio effect plugin which offers valve warming and “console” coloration effects in similar to analog tube/valve equipment. Warmifier is applicable both to the complete mixes and to the individual instrument tracks. You have several parameters at your disposal that allow you to control the strength and the […]

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Sound Magic releases Konghou ancient Chinese harp instrument

Sound Magic Konghou

Sound Magic has announced its latest hybrid virtual instrument Konghou, featuring the sounds of the Kong Hou, an ancient Chinese harp. The konghou became extinct sometime in the Ming Dynasty. It was revived in the 20th century as a double bridge harp; the modern version of the instrument does not resemble the ancient one, but […]

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