Loopersound has announced the release of its new Dub Techno sample pack called Berlin Techno. The Pack includes 200 loops, labelled with the root key to 126 bpm that follow the Best Techno Songs of the moment. With Techno Drums, Synth Loops, Techno Bass and with many others Free Sound Effects, you are sure to […]
Curse if you must the fact that modern DJing requires managing social media accounts, navigating scenes, understanding the dimensions of cool. But some DJs will mix all those things as adeptly as they do records – and hold up a mirror to the rest of us.
Well – or at least Leipzig’s Vincent Neumann has made a killer Magic: The Gathering parody with techno.
First things first: let’s here acknowledge that Vincent is a brilliant musical selector, as well as social media satirist. Closing sets at Berghain can turn into ponderous marathons of endurance, but whether there or in (briefer) outings mixing and DJing, Neumann is a deep digger, consummate nerd of eclectic selections. Listen to the mix at bottom. This is to say, while he can keep the fashionistas dancing, the guy is not simply a flavor of the month.
But hey, if you do need some Instagram fame, Maestro Neumann has found a clever and amusing way of doing so. Techno: The Gathering has become a bit of an ongoing commentary on the techno scene. As Europe’s industry of nightlife churns onward, here’s at least one person not taking things too seriously. The in-the-bubble in-joke here is at least, you know, a joke.
He’s nerd enough that you can see via Instagram stories how he has reflected on color choice and deeper meanings.
Let’s actually print the things out and start playing the game. (Has anyone started doing that, or is everyone too hungover from the weekend to bother?)
But seriously, go behold one of the best things on Instagram:
And Vincent’s normal DJ account, which is, naturally, the best Instagram account name ever:
In 1992, Alan Oldham aka DJ T-1000 imagined the epic saga of techno and Detroit as a trippy futuristic comic – and it’s prescient today. Plus, Alan’s got a banging new EP that you shouldn’t miss.
I’ve been meaning to share this since I first spotted it in a German-language article, so there’s no time like the present.
Alan was “Minister of Information” for Underground Resistance, as well as making his name as one of the all-time album cover greats with sexy, futuristic work for the likes of legendary imprint Transmat, Derrick May’s imprint. Now, everything in Detroit is in vogue again, but this push and pull between Europe (aka, where the actual techno market is) and Detroit (where it started) is so clear in 1992 that this comic could almost have been posted now.
The setting was a release by pre-minimal Richie Hawtin as F.U.S.E., on Richie’s own Plus 8 Records. Bonus: that demo came with a FlexiDisc and a comic. The comic stands out either way, not least for the presence of a futuristic supercomputer sequencer, a bit of a cross between a mass step sequencer, Deep Thought, and the Borg. Plus it’s great fun imagining UR’s LFO, Daniel Bell (aka DBX of “I’m losing control” fame), and Jochem Paap (Speedy J) as comic superheroes. Yeah, I’d see that Marvel movie.
At the very least, someone needs to make this sequencer.
Nerdcore did the honors and scanned the whole thing, if you need some techno comic reading:
But Alan deserves credit for his music as well as his graphic art, running those careers as he does in parallel. And his latest, “Message Discipline” EP as DJ T-1000 is a welcome shot of adrenaline in the electronic releases of the fall. It’s clear, focused, aggressive but perpetually bouncy – a blast of fresh sound at a time when so many releases are overthought, over-effected, and muddled in an attempt to shroud the dancing in layers of gloom.
Direct and concise, this is the sound of someone with real confidence in the genre. It’s four perfect cuts.
That’s interesting to me in that we did get a chance to get some insight into Alan’s process, and it was very much about getting straight to that groove. So I’m not just here to shower words on this release, but partly because I imagine it might assist people trying to get to their own voice in dance music.
Soundbox has launched a new release called Berlin Deep Techno, a 448 MB royalty free collection of the latest loops and samples to create your next killer techno track. Subbed-out kicks, pumping bass-lines, hypnotic synth-leads, speaker-shaking drums and section-defining FX are just part of what makes this collection a must have for your studio arsenal […]
You’re on the go. And those wonderful USB power banks will charge your phone – so why not audio gear, too? KOMA Elektronik’s new Strom Mobile makes it possible.
Here’s the problem: USB power banks (mobile batteries and whatnot), while plentiful, only output 5V power for phones and USB, and they’re anything but “low noise” (meaning you’ll hear garbled interference when you plug a lot of them in).
A lot of your compact audio gear is probably running on 9V or 12V power, and it’ll make you happier if it’s low noise. (Some gear is 5V, of course, but that’s another story.)
Enter Strom Mobile, a small accessory from KOMA that adapts power banks for your gear. Specs:
9V/12V DC power compatibility (clean, low noise)
Two power channels – plug in to one or both, and set each channel to either 9V or 12V
Indicators to show you which power is connected, and how much current you’re using
Four outputs for gear – or connect more via daisy chaining (until you run out of current, anyway)
Cables and manual in the box: 1x USB B, 2x DC-DC, printed guide
The USB B cable is especially designed for this application.
There’s also a Strom Mobile Cable Pack you can buy as an add on, which includes another of those special USB B cables, a 1-5to-5 daisychain DC cable, 2 more DC cables, and 1 polarity changing DC cable.
And of course, this is intended for use with the Field Kit and Field Kit FX from KOMA, but the list of 9V/12V drum machines, recorders, samplers, effects pedals, mobile synths, and the like is very long.
Pricing: 175EUR suggested retail, or 35EUR for the Cable Pack.
Check the intro video:
Artists Hainbach (known for his lovely cassette tape videos and ambient creations) and Wouter (KOMA founder, here with his ODD NARRATIVE project) play and record using the gear en plein air at Berlin’s former airport-turned-park Tempelhofer Feld.
Berlin Atonal Festival wrapped up last week, and for all of the breathtaking impact of the power plant’s cavernous main room, as per usual, the sleeper hits came from the more intimate control room tucked next to the mainstage.
Once you’re done acting out your Homer Simpson fantasies on the controls, this room – staffed by the synthesis lovers of Schneidersladen – is home to more experimental acts and jam sessions and modular patching extravaganzas. And the crowd is different, too, more family style sound nerd reunion than festival scenesters.
Photo at top: Mark Verbos, modular builder, alongside Lady Starlight. Photo courtesy CTM Festival.
Our friends from FACT captured three performances. (Don’t watch on Facebook; that social network’s encoding is crap for some reason. YouTube seems fine.)
There were lots of great shows, but they also selected well with what they recorded, with two gorgeous ambient solo sets and one quirkier duo. (Also, anyone else noticed that laptops have just quietly reappeared alongside modulars? And why not – who cares what particular gear you’ve assembled, if you find some way to be expressive with it?)
There are some dropouts here and there, but it’s worth checking out anyway.
My favorite is object blue – all on Ableton Live/Push, but a kind of shuffled, irregular looping musique concrete:
London-based artist object blue has a bunch of great stuff in her discography:
But then this is lovely, too, adding more vocal goodness, also a 2018 creation:
Hiro Kone (aka NYC’s Nicky Mao) is looking chill with her Elektrons and modulars, and with good reason – some chill sounds happening. Lounging in the control room, genau:
Nicky is one busy, multi-talented, insanely prolific touring musician. And she’s got a well-organized site to discover more of her music (we would all do well to learn from that, too… rarity these days):
Mixed feelings about the live stream age, actually – and something to think about, as CDM revisits how to work with live performing friends. (I’d go for higher quality audio, no? Thoughts?) At the same time, a live stream is a nice place to introduce people, and it’s great to see what people are doing – if we can sort those occasional sound dropouts. Open to ideas for what you’d like to see, especially as a community of music makers.
CFA-Sound has announced the release of Massive Berlin Techno Presets, a new soundset featuring a collection of 94 patches for the Massive synthesizer instrument by Native Instruments. For many Berlin is the true capitol of techno, not just by it`s legendary clubs such as Tresor, Berghain and Watergate, also by being home for many different […]
It’s easy to forget if we get too deep into hero worship and seriousness, but real creativity is fun and boundless. So nothing energizes like talking to people like Alan Oldham, the multidisciplinary Detroit techno artist.
Oldham, sometimes DJing as DJ T-1000, had a multifaceted series of roles in techno. So he’s served in Underground Resistance – including as “Minister of Information.” He did artwork for Derrik May’s legendary Transmat label. He’s a comic artist as well as a producer, savvy enough to interact with the art market and not only the music industry. A lot of us in the USA got our first introduction to techno and the full story behind it through his story “Fast Forward” on National Public Radio. But then, in this age of overabundant production, we need those kind of voices now more than ever – people who can narrate what’s happening in music, DJs in the club sense and DJs in the radio sense.
Meanwhile, as CDM finds its evolved voice this year, I got to invite Alan (now a Berlin transplant) to talk about his process, to jam a little, and to chat about music, aesthetics, and futurism.
Alan is a big Native Instruments Maschine fan, and it’s nice to see how the MPC and other hardware workflows have made the transition to the computer age. I think immediacy is important to tapping into that creativity.
Have a look:
Off camera, it was also great that Alan got to hang out with our other guests, HRTL and Oliver Torr and their live project Windowlickerz. Growing up in Detroit, meet growing up in Czech Republic.
Alan Oldham in the studio.
Making beats (MASCHINE MIKRO), making comics (paper and pen).
Since January, Alan has been busy, in the studio and in the club (as well as continuing his visual art work). Message Discipline is the EP dropping in October on Pure Sonik Records.. The timbres, the tech are decidedly future-looking, not nostalgic. But as a lot of techno gets cold and clinical, overthought, or overly … well, dreary (not that there’s anything necessarily wrong with that) — this is none of those things. It’s “up,” as Alan says. Maybe it’s hard to find words for that funky, groovy feeling because it’s better to describe it me moving my body around than it is just wiggling my fingers over the computer keyboard.
You know you’re in for something special when you’re dancing around to the damned excerpts on SoundCloud. Tell me I’m wrong:
Even that last cut swings, like a nice makeout slow dance. And the title track sounds ready to blast into orbit to some, uh, really sexy space lounge, I would imagine.
Message Discipline is all bangers, but for a more tripped-out experience, DetroitRocketScience is the ticket:
Alan and Ellen Allien can often be caught side by side, so expect more on Ellen’s BPitch Control, like this excellent remix:
He’s also got a great remix of Sky Deep’s “In This,” but looks like I can’t share that – take my word for it.
Now who wants to don an Andy Warhol wig and dance around a bit? Yeah? Have a great weekend, y’all.
Related – in summer 2011, Wax Poetics provided us with this article they ran exploring early Detroit techno history, and even talked to Alan. of course, now you meet the Detroit artists in Berlin.