ADSR Sounds has launched Colourz – Hybrid OVO Elements, a new pack by GHST PRJKT featuring a collection of sounds in the vein of Drake’s OVO label with heavy driven 808 beats infused with synthetic Future Bass and Trap elements. The pack includes Serum synth presets and samples. COLOURZ features 32 custom 808 subs within […]
Splice Sounds has launched the Chef Pasquale Drumkit, a sample pack featuring a collection of 258 loops and one shots from the producer who’s lent trap-stylings to the likes of Drake, Giggs, Famous Dex, RamRiddlz, and PnB Rock to name a few. When SEGA released a PS3 and XBOX 360-ready Sonic the Hedgehog game in […]
RV Samplepacks has released Tranquillity – Chill Trap, a sample pack that pays homage to the Toronto based label OVO Sound. The royalty free pack is primed, polished and punchy for your Urban productions, inspired by the industry heavyweights. Inspired by the OVO sound label, founded by Drake in 2012 alongside Oliver El-Khatib and Noah […]
You either already know what this is about – or you don’t know that you already know what this is about.
That is, you’ve heard bass lines made with 808s all over the place. That’s likely to continue, too – thanks to the dominance of PAs with heavy bass, and the corresponding use of bass in all kinds of tracks, this has become a big part of musical language. And it’s a versatile approach to making bass lines. Because of its construction, you could take this same technique and apply it to any kind of music.
But yeah, it is good enough for Drake and Beyoncé.
Propellerhead have done a bang-up job of teaching you how to steal this technique from all those bangers.
Actually, spoiler: the easiest technique is right at the beginning of the video, it involves Reason, and it comes straight from Key Wayne. (Now you know why famous people often don’t like to give up their secrets – a lot of the best production techniques actually aren’t complicated at all. As with cooking, sometimes a simple ingredient combination works perfectly.)
But this goes on to some very good stuff.
You could certainly apply this to software other than Reason. But this video also (legitimately) shows why Reason has staying power. The folks at Propellerhead have come up with an ingenious combination of built-in devices that do what you want, with the kind of succinct quality found in the best hardware. And they have an environment in which it’s uncommonly easy to combine those modules for creative sound design. (I remember years ago sitting with Flying Lotus as he showed me how much he loved that distortion in Reason, too.) There’s still nothing else quite like Reason. People who never get it never get it, but a lot of people stay, or find reason to come back.
And this video is a really nice one. Stay tuned for part two.