One of the design challenges of electric cars is that they are relatively silent, compared to traditional cars – but there are safety and legal requirements for them to be audible. … Read More Richard Devine On Sound Design For The Jaguar I-Pace & His New Album, Sort\Lave
In this video, sound designer & composer Richard Devine demonstrates how he’s using the Yamaha MODX6 as part of a Eurorack performance system. … Read More Yamaha MODX Sound Design & Performance With Richard Devine
Here’s an in-depth look at the new Yamaha MODX synthesizer. … Read More Yamaha MODX Synthesizer In-Depth Demo
“The idea of this series is to show how to improve on the original ‘plasticky’ sounding F.M. presets that were/are so ubiquitous on the original F.M. synthesizers of the 1980s….”… Read More FM Synthesis Of Metallic Sounds
Roland today released a free update for the System-8 that adds 5 new filters, new oscillators and more.… Read More Free Roland System-8 Update Adds 5 New Filters, FM Oscillators
SONiVox recently announced Stratum, its supersaw and FM synth, which they are touting as “ideal for synthwave, vaporwave and retro electro” productions. Stratum is a layering of a classic Supersaw synthesizer and a 4-operator FM synthesizer. Originally made famous by the Roland JP-8000, the Supersaw waveform has made a strong comeback in the trance and… Read More SONiVOX Introduces Stratum, Supersaw and FM Synth
The free and open VCV Rack software modular platform already is full of a rich selection of open source modules. Now, Rack users get first access to the newest Mutable Instruments modules – and your $20 even goes to charity.
Mutable Instruments is unique among modular makers partly in that its modules are open source – and partly in that they’re really exceptionally creative and sound amazing.
Mutable’s Olivier Gillet was an early adopter of the open source model for music hardware, (along with CDM and our 2010 MeeBlip), starting with the classic Shruthi-1 desktop module (2012). But it’s really been in modular that Mutable has taken off. Even as Eurorack has seen a glut of modules, Olivier’s creations – like Braids, the Macro Oscillator, Clouds, and others – have stood out. And the open source side of this has allowed creative mods, like the Commodore 64 speech synthesis firmware we saw recently.
But Rack, by providing an open software foundation to run modules on, has opened a new frontier for those same modules, even after they’re discontinued. Rack’s ecosystem is a mix of free and open modules and proprietary paid modules. Here, you get a combination of those two ideas.
Mutable’s Plaits, a successor to the original multi-functional Braids oscillator, isn’t out yet. And its source will be delayed a bit after that. But for twenty bucks, you get both Plaits (dubbed Macro Oscillator 2 inside VCV) ahead of release, opening up a wonderful new source for pitched and percussion sounds. Most of your money even goes to charity. (Actually, I’m happy to support these developers, too, but sure!) These are two of the more versatile sound sources anywhere.
The idea is, would-be hardware purchasers get an advance test. And everyone gets a version they can run in software for convenience. Either way, all synth lovers win, pretty much. Synthtopia has a similar take:
Maybe, maybe not but — on another level, even if this is just the model for Mutable’s stuff, it’s already good news modular fans and VCV Rack users.
And let’s not forget what it all sounds like. Here’s a mesmerizing, tranquil sound creation by Leipzig-based artist Synthicat, showing off Plaits / Macro Oscillator 2:
Another bonus of VCV Rack support for studio work – you get multiple instances easily, without buying multiple modules. So I can imagine a lot of people using elaborate modular setups they could never afford in the studio, then buying a smaller Eurorack rig for live performance use, for example. Check out Synthicat’s music at his Bandcamp site:
You’ll find a bunch of sound models available, from more traditional FM and analog oscillations to granular to percussive to, indeed, some of that weird speech synthesis business we mentioned. You also get a new interface with more flexible control and CV modulation, unifying what are in fact many different models of sound production into a single, unified, musical interface.
As for Plaits hardware, here’s some more beautiful music:
The official announcement:
When Mutable Instruments releases a new Eurorack module, its source code is kept closed to limit the proliferation of opportunistic “DIY” clones at a time when there is a lot of demand for the module and to avoid exposing dealers to canceled pre-orders. After several months, a second production run is finished and the source code is released.
In a collaboration between VCV and Mutable Instruments, we allow you to test these new modules before their source code is publicly available with the “Audible Instruments Preview” plugin.
We don’t intend to profit from this collaboration. Instead, 80% of sales are donated to the Direct Relief (https://www.directrelief.org/) Humanitarian Medical Aid charity organization. The price exists to limit widespread distribution until each module is mature enough to be merged into Audible Instruments.
I have no doubt this will get hardware people hooked on the software, software people hooked on the hardware, and everybody synth-y and happy.
Note from VCV deveoper Andrew Belt [Facebook VCV Rack Group]
It seems more ports/previews may be coming, too, even just in the Audible Instruments preview purchase.
That’s not the only Rack news, either. VCV also have a powerful patchable parametric EQ called Parametra:
It’s $30 – so another proprietary offering that then supports development of the Rack platform.
The post A life cycle for open modules, as Mutable Instruments joins VCV Rack appeared first on CDM Create Digital Music.
Imagine starting with a painstaking emulation of the lofi sound of instruments like Yamaha’s SHS-10 keytar – but then modulating those quirks in powerful ways. Now you’re getting the mission of the new plug-in from Plogue – PortaFM.
If you lived through the mid-80s – or inherited (or coveted) one of the instruments of the time – you may already know the peculiar sound of Yamaha’s FM PortaSound keyboards. Of course, what was once considered perhaps low quality might seem to our ears now as something else: a unique, complex timbre with interesting, edgy nonlinearities.
And as musical tastes have gradually accommodated a wider range of timbres, recreating such things isn’t necessarily about nostalgia. In a sea of music, people are looking for sounds with edge.
So, with that in mind, meet the OPLL – aka the YM2413 chip core. Tasked with recreating Yamaha’s patented Frequency Modulation (FM) synthesis, the technique first pioneered by John Chowning in the 60s, that chip produced a sound that was different than the best-known Yamaha, the DX7. So while the instruments looked cheesy – and provided the user with little control over sounds apart from calling up presets – they had at their heart a chip capable of creating sounds that may be weirdly more relevant today than when these tools were on the market.
This 1983 ad will give you a sense of where Yamaha positioned its PortaSound line:
But here, we’re talking models like the more advanced Yamaha SHS-10 “Sholky” keytar , plus keyboards like the PSS-140 and PSS-270 .
Montreal-based developer Plogue, for their part, have decided not to hide that power from the user. Apart from spending loads of time accurately modeling the chip, they’ve exposed all the parameters of the synthesis engine and drum sounds. (There are still some cues from the originals – note the polygons representing the drum pads, borrowed from the original PSR keyboards, but looking way more futuristic here.)
The work they’ve done on modeling pays off, too. Even just dialing through the presets, you’ll find loads of patches that sound simply alive. It’s not just about being lo-fi; the peculiarities of this particular FM chip give a weirdly acoustic – if alien – quality to some of the sounds. Instead of trying to smooth the edges of FM synthesis, you get more of that unpredictability in ways that can become surprisingly musical.
Transposed from the cheesy toy shells of Yamaha’s original products, you might easily confuse this for some new instrument. But to get there, Plogue were in fact obsessive about reproducing what had been consigned to yard sales and thrift stores. In a video premiering exclusively on CDM, Plogue’s David Viens compares the recreation to the original and explains the emulation.
Yes, kids, now you get to explore the joys of the time-division multiplexed 9-bit DAC on your powerful PC or Mac. Because 9-bit is the future?
The one and only Cuckoo also has visited this new Plogue creation:
I’ve only had the plug-in to play with for a short while, but there’s plenty to enjoy here. Deep under the hood, you can obsess about tiny variations in modeling, but just as fun is playing those lo-fi drum pads or messing about with playing different sounds.
Directly from the main screen, you can get hands on with the FM synthesis approach and percussion.
Programmers will find plenty of sophisticated options – for instance, you can automate sequences of parameters of your choice. But anyone will find the depth interesting. For instance, layering the percussion atop the FM sounds, under the ‘play’ tab, works exceptionally well.
You’ll find a range of effects, too:
Plogue are planning more instruments in the chipsynth series, as their models continue to improve and as they collect more data.
But you could argue this is a new direction – even relative to reboots like Roland’s new TR machines taking on the TR-808 and 909. Here, obsessive modeling of digital instruments is meant to create something both historically accurate and simultaneously new. To get topical, it’s the synth equivalent of Donald Glover’s Lando.
Okay, I’m not going to stretch that any further. i will say – PortaFM, you look absolutely beautiful. You truly belong here with us among the clouds.
The post A new, powerful synth finds its soul in a cheap plastic FM past appeared first on CDM Create Digital Music.
At Superbooth 2018, Humble Audio introduced their first Eurorack module, the Quad Operator.… Read More New Eurorack Module, The Humble Audio Quad Operator, Makes FM Synthesis Intuitive
SYNSET FM is a complete 6 operators FM synthesizer, with the addition of 3 dedicated FM drums channels, a sequencer, 2 arpeggiators and an effect section. … Read More Fingersonic Intros Synset FM, A 6-Operator, 8-Voice Multitimbral FM Synthesizer