Igorski has released Regrader, a free audio effect plugin that provides a delay effect in which the repeats degrade in various ways to provide a malevolent twist on the ears. Echoes disintegrate, are decimated, piercingly oscillate and are finally mangled into a sound reminiscent of a jet engine processing gravel. Each of the modules within […]
Midi Error has launched a remastered, expanded deluxe version of ChipShop, featuring the all original content, as well as some brand new additions. Deluxe ChipShop offers a unique collection of over 1,000 samples recorded from the Commodore 64, Atari ST, Original Gameboy and Pocket Operator Arcade. midierror has been back in the Chipshop to fry […]
GratuiTous is back with another free soundset. Overbear offers a collection of 25 sounds for the Serum wavetable synthesizer by Xfer Records. Again, I’m always trying to choose names that have a definition of overcoming, pushing through, reaching your goals, etc. This free serum preset pack again has 25 presets containing basslines, leads, pads, and […]
BeatMaker has launched RT-7070, a free drum rompler instrument inspired by the TR-707 drum machine by Roland. RT-7070 is a Free VST/AU drum rompler, inspired by the classic Roland TR-707, containing 20 drum kits: One original 707 and 19 kits, treated with an arsenal of modern and vintage dynamic processors and effects, to give you […]
Sample Fuel has announced the release of Drop CRE8, a free instrument that offers a dual layer synthesis engine, combining sample playback and granular synthesis. Intuitive and flexible with the focus on quick and easy workflow is the concept behind our CRE8 Engine. DROP has a simple drag n drop synth engine that contains a […]
Red Room Audio has announced the release of Palette Primary Colors, a free Kontakt instrument library that offers a taste of the full Palette libraries. Our Palette Orchestral Series has made a serious splash since its debut this past December and we couldn’t be happier! So much so that we’d now like to give everyone […]
VEVA Sound has announced the release of the Studio Collect Plugin, a “Virtual Second Engineer” that enables smoother session data collection. In the Golden Age of recording studios, second engineers played a crucial role- they kept the entire session organized and took detailed notes about the session participants and specific details of each session. Some […]
Spitfire Audio has launched its new LABS series of software instruments with the release of Soft Piano and a new Strings library. LABS lets loose a new series of tools that retain Spitfire’s dedication to quality but altogether remove the barrier to entry by offering a simplistic solution to music-making, instantly-playable, great-sounding instruments, all at […]
Everyone’s talking these days it seems about new users and finding an entry way into production. But Spitfire’s take is pretty irresistible: give you some essential sounds you can use anywhere, then charge you … nothing.
Spitfire Audio are a little bit like the “recording studio, engineers, and world-class rented orchestra” you … never had. These are exceptionally detailed sample libraries, including collaborations with Hans Zimmer and Ólafur Arnalds.
LABS is something different. Spitfire says they’re planning a series of these bite-sized sample library instruments, integrated as plug-ins for Mac and Windows / all DAWs. Since they are more focused, they’re also smaller – so we’re talking a few hundred megs instead of many gigs of content, meaning you also don’t have to think about plugging in an external drive just to install. A new build of their online tool goes and grabs them for you.
VST/AU/AAX/Mac/Windows … free:
Now, just describing it, that sounds not all that exciting – plenty of sample houses offer freebies to get you hooked. But LABS’ debut two entries are something special. There’s an intimate “soft piano” that’s good enough that I temporarily got distracted for half an hour playing even on my QWERTY keyboard in Abeton before I remembered I was supposed to be doing something. It’s beautiful and delicate with loads of sounds of the piano action and … it’s sort of hard not to make some film score with it. (Plugging in a hammer action keyboard was, of course, better.)
There’s also an essentials string ensemble that covers the bread-and-butter articulations you need, exceptionally well recorded on a 40-piece ensemble.
All of this is wrapped into a minimalistic interface, made in collaboration with UsTwo – the folks who did the hit game Monument Valley. Spitfire tells me that something like six to nine months of work between them and UsTwo led to the final design.
This minimalism, from sound selections to interface, almost demands experimentation. You know, there’s a reason so many keyboards have pianos at patch 00 – we’re all often imagining a piano sound or string sound in our heads. It’s just rare you get one you’d want to return to, which is what this is. And I suspect for more adventurous producers and electronic work, the perfectly-recorded, back-to-basics nature of these selections will be perfect for transformation. (So you can weave them into electronic textures, and reverse and chop them up and re-pitch them and so on – all with good source material.)
And, of course, the price is right.
LABS is part of a larger project, with more sounds coming, also for free, monthly. Spitfire promises both more of these basic starting points for new producers or musicians wanting to cover their basic ingredients (like the samples you’ll want on your internal SSD and not just the big external drive), plus a testing bed for experiments in sound design and projects they want feedback on. (It’s not a freemium model, then – it’s more like a free laboratory, rather like what I was discussing yesterday around modules in VCV Rack, but for soundware. I wonder if we’ll see this elsewhere.)
There’s also a content plan around the sounds, a notebook of projects and ideas to go with the LABS sound downloads.
It’s also nice to see soundware companies pushing to increase the value of live musicians and composers/sound designers, rather than engage in a race to the bottom. I’ve heard some real concerns around the industry about the subscription model for sounds, and whether it will do to sound designers and recording artists what Spotify and iTunes Music streaming have done to record labels – but it seems the players in this industry really are committed to finding models that do something different. (Getting into this is obviously a matter for another day.)
Here’s their statement, whether you buy into that or not:
It remains Spitfire’s ethos to use live performances where possible, but when up against time and budget, Spitfire is the next best thing. By paying the players and collaborators royalties, Spitfire Audio helps sustain an incredible part of our musical heritage at the same time as championing innovation within it.
The plug-ins are free forever, not for a limited time. We’ll be watching to see what’s next.
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Minimal Instruments has announced the release of a simple kick and snare rompler instrument for Windows and Mac The Kick-n-Snare plugin has “super sound, good for EDM, especially for Dubstep and FutureBass”. We made this plugin because we think it would be nice if a producer can quickly create kick or snare (or both) track. […]