IK Multimedia has announced availability of its new AXE I/O, a high-end audio interface and controller that delivers premium sound and innovative features designed for guitarists seeking the perfect way to record with world-class tone and professional techniques. The new 2 In/5 Out AXE I/O offers guitar-centric features such as adjustable impedance, streamlined re-amplification functions […]
Pioneer DJ has announced the HDJ-X10C, a premium version of its over-ear flagship DJ headphones which will be globally released in limited quantities from 17th January 2019. The new model features enhancements to the design of the popular HDJ-X10, which offers outstanding audio quality, lasting durability and flexible functionality for professional DJs. Special materials used […]
You’ve seen the Stylophone as the mass-produced, toy-like original. And you’ve seen it as a relaunched digital emulation and as an analog instrument. Now get ready for the Stylophone as premium boutique instrument.
The Stylophone began its story back in 1967, and became one of the iconic electronic musical inventions of the 20th century – its appeal being largely to do with its simplicity and directness. The son of the original inventor, Ben Jarvis, went on to revive instrument under the original manufacturer name, Dubreq.
Now, the GEN R-8 is here with some advanced features and flowery description about British circuitry you might expect from the ad copy for a high-end mixing desk. There’s something a bit funny about associating that with the instrument so long known as a (very musical) toy, but – think of the GEN R-8 as a new desktop synth, the full-featured, grown-up monster child of the original.
Oh, and — it sounds like it’s going to be a total bass beast.
So you know in campy horror movies where someone gets hit with a growth ray or radiation or whatever, and turns into a city-smashing giant? Hopefully this is like that, in a good way.
Dual analog oscillators (VCOs) and full analog signal path.
Divide-down sub-oscillators (one octave lower) and subsub oscillators (two octaves lower) – switch them all on, and you get six oscillators at once.
12 dB state variable filter – low pass, high pass, band pass, wide notch – which they say is their own proprietary design.
ADSR envelope, now with a “punchy” shorter hold stage when you crank attack and decay peaks, they say.
There’s a delay, too – based on the Princeton pt2399 chip, and “grungy” in the creators’ description – which you can modulate via time CV input.
And some classic overdrive, plus an extra booster stage – this part does actually sound a bit like classic British console gear.
And there’s a step sequencer – 8 banks, 16 steps per sequence, both for the internal synth and external gear (CV/gate and MIDI output).
Plus the whole thing is patchable:
There’s an LFO with eight waveforms and dual outputs, which you can patch to all of the CV ins or to other gear.
The patch panel has 19 minijack CV/gate and audio patch points.
The keyboard is now touch-based – so you don’t need a stylus – and has a sort of absurd set of features (MIDI controller output with local on/off, glide and modulation keys, three octaves of keys).
And it’s made of steel.
Price: £299 / $349 / €329
Availability: Late February 2019 [limited edition]
So it’s really Stylophone on steroids – fully patchable, with delay and drive and filter, MIDI and CV, ready to use as a new synth or as a controller tool with other gear (other semi-modulars, Eurorack, MIDI instruments, whatever). It does appear one of the more interesting new instruments of the year – one to watch.
Strymon has announced its Volante Magnetic Echo Machine, a stereo multi-head delay that also offers a looper and vintage spring reverb, with powerful sound-sculpting controls for limitless sonic possibilities. Create instant retrofuture atmosphere with evocative vintage delay tones. Activate your imagination with evolving ambient echoes and warm, organic feedback with just the right amount of […]
Building upon the success of the FX8 8-inch Coaxial studio monitor, Fluid Audio now announces the 2nd generation FX80 monitor as well as the addition of the FX50 5-inch version. Now featuring Class D amplifiers with high and mid frequency adjustment knobs, acoustic space, low frequency roll off and optimized composite cone woofers, the FX […]
Some things are too good, or too improbable, to be true. Apparently that doesn’t apply to KORG’s volca series. Because if the ultra-compact, affordable modular and drum were exactly what you wished for, well – they’re here.
These will look familiar, because images of the top panels of these two pieces of kit hit the Internet in December. The funny thing was, a lot of people responded with “oh there’s no way that modular could be real.” Guess again.
The newest volcas are a modeled drum/percussion unit and a compact modular with tiny header pins for patching.
This isn’t the volca series’ first take on percussion. It’s had a full drum machine with analog circuitry (volca beats), a bass drum synth piece built around the classic MS-20 filter (volca kick), and a digital sampling machine (volca sample).
But volca drum could turn out to be the most interesting yet, if they’ve nailed its sound source. volca drum is a percussion synth, with diffeent DSP-based models for sounds.
The WAVE GUIDE controls in the middle are the most interesting. And of course, having KORG’s sequencer with motion controls attached to a parameterized percussion synth seems really tasty – as with the volca kick, this could be interesting for all kinds of different parts, not just the obvious ones. But we’ll have to wait to hear more about it.
KORG for their part promise “standard percussive sounds” and “eccentric drum styles.”
Availability: early 2019
The volca drum has been so far overshadowed, though, by the curiosity of the volca modular.
There are eight independent functional modules in this unit. They’re pre-wired for patchless operation, but you can also reconfigure them with a whopping 50 patch points. Tiny jumper wires are included for connecting to the onboard pins. The volca modular is like a tiny toybox of sound design – a Buchla Easel for cash strapped millennials. (Okay, all of us older folks, too.)
Okay, but then – is it a modular? Well, even KORG cautiously dub it “semi-modular,” but while there’s no clear line, I’d say even modular is a reasonable term. While modular is now taken by some to mean something with interchangeable modules, especially in this age of Eurorack, I’d say anything with discrete functional modules that be interconnected in different ways ought to qualify.
And yeah, while this will work without patching, so too did the ARP 2500, and no one called that semi-modular.
Enough of semantics, though: it’s cool, as you’ll see in today’s hands-on review from Francis Preve.
The price is a little higher for a volca, but … no matter. This is a spectacular amount of modular patching in a single unit, and I think it’ll be really popular.
Availability: early 2019
Side note: KORG are hardly the first to suggest this kind of modular patching. Phillip Stearns and Peter Edwards envisioned a modular system you’d build entirely on a breadboard – hyper-modular, if you will:
Edwards went to work for Bastl Instruments, who not coincidentally employed these jumper wires on their own instruments (like Kastle).
And if you feel volca modular isn’t quite what you’d want in a volca modular – like you’d rather have interchangeable, separate modules – that’s been done, too, in the form of the AE Modular Synth:
But the volca modular is unique in focusing on West Coast style synths – an oscillator source you make more complex with modulation and wavefolding, and which even gets fed into Buchla-style modules like the LPG (low pass gate).
And let’s be clear: it’s also unique and cool. Hope I get to play with one, too, soon.
KORG are introducing the Minilogue xd. It’s not just a Minilogue with some extras: it’s a new polysynth with the best bits of all the KORG analog range, including the prologue flagship, in a compact package.
It’s like the hatchback of synths – the compact, mid-range priced synth that might just wind up being everyone’s favorite. It’s poised to be the Golf GTI of electronic instruments.
It’s in the compact monologue form factor, with a US$649.99 price. And it’s coming soon (this winter, so… at least “before spring”).
To be honest, I loved the original of this series, the minilogue. But then with each new iteration, KORG added something new that made me want a combination of all the other synths.
And now, sure enough, what do we get? A combination of all the other synths.
From the minilogue: the elegant 4-voice polyphonic voice structure and voice modes that made the original so terrific.
From the monologue: the 16-step sequencer and microtuning features (thanks Aphex Twin!), plus that cute little form factor.
From the prologue: the MULTIdigital oscillator, plus new effects.
I’m sure some people will gripe because they wanted the extra keys and size of the minilogue, but otherwise this looks like the perfect KORG synth.
Reverb, delay, and modulation, plus two CV IN jacks complete the package.
Hilariously that “XD” of course also signifies “lol,” which may be how you feel if you just sold off a monologue or minilogue and now can buy up a combination of the two. (As with Windows XP, KORG are using the lowercase xd to de-emphasize that a little…)
Strymon have already made a name for themselves in luxe effects hardware and pedals, including classic effects and reverbs like the BigSky. Volante moves into what’s likely to be hit territory – modeling magnetic tape loops and effects.
There are three tools in one here: magnetic delay, spring reverb, and a tape-style looper. It basically takes a bunch of things you’d do in a studio (back when studios did stuff with tape) — and crams that into a little box.
And it sounds great (Matt Piper here shares this music he made):
Tape delay: four playback heads with feedback, panning, and level for each.
Make tape-style looping: reverse, pause, splice, infinite repeat
Selectable models: drum echo, tape echo, studio reel-to-reel, with different sound characteristics
And still more control: choose low cut, mechanics, and wear, plus an input you can adjust (so crank it for extra tape saturation)
Stereo in and out
Foot friendly: tap tempo and even choose favorite settings with your foot, plus add an expression pedal if you like
MIDI in/out with full MIDI mapping of parameters and program changes
Strymon also promise premium audio fidelity, both on the analog front end and the digital conversion inside. And they build these in the USA.
It’s also a sign of the times: independent hardware is doing increasingly processor-heavy stuff. But just as the computer capacity has expanded, so has hardware – and more realistic emulations of nonlinear analog equipment is the result. This is still DSP-based, not ARM, for those interested – it’s a SHARC DSP – but those chips have grown in capability, too.
Moog’s DFAM and Mother-32 have attracted their own dedicated following. Now a Kickstarter project aims to expand patching flexibility on the Moog and other semi-modulars – so you won’t outgrow them.
There are two product ideas in the FamilyTool line. One is a unit for adding multis and splits, which extends patching on semi-modulars like the Mother-32. (There’s no multi, which would let you duplicate a signal.) A second product is a case with internal power for making a little “baby” modular – without having to make the leap into Eurorack. (The latter could get more expensive and means more to lug around. Arturia also recently showed small cases with this idea.)
The product looks really nice, and gets hand-assembled in Munich. One interesting twist: they say they’re only marketing this on Kickstarter, so there won’t be any units for sale after that.
The MULT-OR-SWITCH is all about giving you more patching flexibility for more elaborate patches.
6 A/B switches for up to six switchable routings
2 of which are OR-logic mixers
No external power source needed*
Passive MULT (1:4 or 2×1:2)
Patching fun with 24 I/Os
And the case is perfect for, say, a DFAM owner who wishes they also had just the awesome Mutable Instruments Clouds to play with (which, seriously, is possible):
powered UNCPROP Case
Fits eurorack modules up to 20hp and 35mm depth (e.g. Clouds and MATHS)
Perfectly fits DFAM/Mother-32 and
Is a great addition to any other semi-modular synth
For heavy users & beginners
works as a 20hp standalone eurorack case/effects unit
Handcrafted wooden panels (walnut)
Pricing starts at EUR199 depending on which round you’re in.
Maybe the coolest option: you can spring for a workshop and dinner with the makers in Munich.
Or you can get a scarf, which sounds appealing to me.
Mackie has announces 30 years since they made its mark on the pro audio industry and are celebrating all its incredible customers that have made it possible. Mackie’s history is full of breakthrough products which have gone on to create and define a number of new categories like the LM-1602 that was originally shown at […]