HEX1 – ein kleiner kapazitiver polyphoner Synthesizer mit Looper

HEX 1.0 heißt er, basiert auf dem Arduino, dem bekannten kleinen Minirechner. Er ist polyphon und hat einen Looper an Bord.

Dieses Projekt ist noch in Arbeit und so gut wie fertig. Es nennt sich HEX1 und wird als „Kapazitiver Synthesizer“ angeboten. Kapazitiv ist vor allem die Tastatur oder besser die neun Sensorfelder wie man sie auch von Eurorack-Modulen kennt. Mit ihnen kann man polyphon Melodien in den internen Looper aufnehmen.

Mit Sync!

Natürlich ist der Synthesizer digital, denn der Arduino ist das Herz des HEX1 und es gibt fünf Potis, um den Klang einzustellen.Alles ist einfach und simpel gelöst. Sehr schön ist, dass es auch eine Synchronisationsmöglichkeit für und mit anderen Geräten gibt. Im Beispiel sieht man einen Teenage Engineering Pocket Operator als „Mitstreiter“.

Informationen und Preise?

Aktuell gibt es „nur“ dieses Video und darin die Information, dass es bald mehr geben wird und die Information vollständiger sein wird. Aber wir zeigen ihn euch schon jetzt und ergänzen es, wenn es soweit ist. Mehr dazu gibt es bei Bemy Forest, sobald es Preise und mehr gibt.


Two free plug-ins and a music label take you into ambient worlds

What’s to say a music idea can’t be both a tool and a tape, an instrument someone could play or an album they can get lost in? Puremagnetik are launching their new experimental label with two free tools that let you keep the drones and grains and ambient soundscapes flowing.

There’s a bunch of hype this week because Warner Music signed an algorithm. And in turn with everyone abusing the term “AI,” you might well think that a computer has automated a composer’s job. Except that’s not what happened – in the long tradition of algorithmic music, a group of composers applied their ideas to the development of software. One of the first apps launched for the iPhone, in fact, was the Brian Eno – Peter Chilvers “Bloom.” Endel has more in common with Bloom, I’d argue, than it does some dystopia where unseen, disembodied AI come to rob you of your lucrative ambient music recording contract. (At least, we’re not there yet. Endel is here in Berlin; I hope to talk to them soon – what they’ve done sounds very interesting, and maybe not quite what the press have reported.) Bloom in turn was a follow-up to Eno’s software-based generative music releases. Ableton co-founders Gerhard and Robert released software in the 90s, too.

So let’s talk about the role of musician as blurred with the role of instrument builder. Soundware and software shop Puremagnetik is made by musicians; founder Micah Frank was moonlighting in sound design for others as he worked on his own music. While this may come as shocking news to some, it turns out for many people, selling music tools is often a better day job than selling music or music performances. (I hope you were sitting down for that bombshell. Don’t tell my/your/anyone’s parents.)

But there are many ways to express something musically. Many of us who love tools as we do love playing live and recording and listening do so because all of these things embody sound and feeling.

It’s fitting, then, that Puremagnetik are launching their own record label to house some of the recorded experiments – Puremagnetik Tapes, which already has some beautiful music on cassette and as digital downloads.

And the perfect companion to those albums is these two free plug-ins. Like the label, they promise a trip for the mind.

The two first tapes (also available as digital)… gorgeous sound worlds to lose yourself in on loop.

The label announces it will focus on “experimental, ambient and acousmatic music.” That already yields two enchanting ambient forays. “Into a Bright Land” is in turns crystalline and delicate, warm and lush as a thick blanket. It’s Micah Frank himself, releasing under his Larum moniker. The musical craft is a digital-analog hybrid, part synths and tape machines – the kind the company has been known for sampling in its sound work – and partly Micah’s intricate custom coding work in the free environment Csound.


To accompany Into a Bright Land, there’s the plug-in “Expanse,” a “texture generator,” with a combination of “texture tone” filter, spectral blurring, adjustable pitch shift, and a healthy supply of noise generation and space.

Its drones and sonic landscapes draw from that same world.

Tyler Gilmore aka BlankFor.ms has crafted “Works for Tape and Piano,” pushing each instrument to its most vulnerable place, the tape itself becoming instrument, sounding almost as if at the point of a beautiful breakdown.


Since you can’t just borrow Tyler’s tape machines and such, Driftmaker is a digital equivalent – a “delay disintegration” device. Add your own audio, and the plug-in will model analog deterioration. The artist himself supplies the presets. Again, you have plenty of control – “parse” which sets the record buffer, “chop” which determines how much to recall, and then controls for delay, modulation, filtering, and wet/dry.

Both plug-ins are free with an email address or Gumroad login.

…and the plug-ins, each created to aesthetically accompany the albums.

There’s a pattern here, though. Far from a world where artists remove themselves from craft or automate the hard work, here, artists relish in getting close to everything that makes sound. They make music the hard way because each element of DIY is fun. And then they share that same fun. It might well be the opposite of the narrative we’re given about AI and automation (and I suspect that may also mean artists don’t approach machine learning for music in the way some people currently predict).

Or, well, even if you don’t believe that, I think you’ll easily lose whole evenings with these albums and plug-ins alike.



Requirements: macOS X 10.8 (AU, VST) or Windows 10 (VST) 64-bit plug-ins

The post Two free plug-ins and a music label take you into ambient worlds appeared first on CDM Create Digital Music.

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