The latest loopop video takes a look at importing MIDI drum loops into hardware drum machines.… Read More How To Import MIDI Drum Loops Into Hardware Drum Machines
Plugin Boutique has announced an exclusive 25% discount on the AutoTheory 4 music composition tool by Mozaic Beats that offers industry standard MIDI effects in a synchronized environment. AutoTheory 4 takes industry standard midi effects and synchronizes them into the most expansive and easy to use composition software available. Our patented improvements upon traditional Scale, […]
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MusicDevelopments has released an updated to RapidComposer, a unique, non-destructive, phrase-based music prototyping software designed for composers, song-writers and musicians of all musical styles. Version 3.7 features more than 30 improvements which include reworked chord and phrase detection, improved Idea Tool, advanced dragging and dropping phrases and MIDI files, new variations and lots of workflow […]
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Plugin Boutique has introduced What About: R&B for Instachord, a collection of 50 presets for the Instachord MIDI processing plugin that helps you play chords and chord progressions faster and easier. These aren’t just random presets. Inside this pack, you will find 50 presets for Instachord that put the most commonly used chords associated with […]
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Virtual ANS from prolific omni-platform developer Alexander Zolotov brings back spectral synthesis like it’s the mid-century USSR. But it also future-proofs that tech – full Android and iOS (plus desktop) support, and now a version that’s polyphonic and MIDI playable.
Alexander Zolotov can single-handedly make a mobile device useful. On my new Android phone, it was his stuff I grabbed first – and, well, last. Once you’ve got a tracker like SunVox that runs anywhere, what more do you need?
And for anyone bored with the world of knobs and subtractive synthesis (yawn), enter the eerily beautiful alien sound world of the ANS – an alternate timeline of synth history in which sound is painted as well as made electrical. The creation of Russian engineer Evgeny Murzin, the ANS used a unique analog-optical hybrid approach. Borrowing from the graphic scores used in early film audio, waveforms were optically produced. It’s What You See Is What You Get For Sound – the spectrogram is the interface as well as a representation of what you hear. This technique is what creates the gorgeous, otherworldly timbres of Tarkovsky’s Solaris – and now it can be on your phone.
The original ANS – its name drawn from the initials of Alexander Nikolayevich Scriabin, the synesthesia-experiencing esoteric composer – used a series of optical discs. It’s easier to do this in software, of course. Everything works in real time, you can have as many pure tone generators as you like (since you won’t just run out of optical-mechanical wheels), and you can convert to and from digital files of both images and sounds.
ANS 3.0 is a major update that moves the whole affair from fascinating proof of concept to a full-featured instrument. You can now map polyphony, and you can play your creations via MIDI – including via external MIDI controllers.
Adding MIDI controllers actually makes for a wild instrument:
Oh, and remember how I just said that AUv3 was the way forward on iOS? Well, Sasha is of course supporting AUv# – as he’s supported Audiobus, IAA, JACK, ALSA, OSS, MME, DirectSound, and ASIO in the past. (That long list of formats comes from supporting Mac, Windows, Linux, Android, and iOS all at once.)
And there’s more. On iOS, you get high-res support and MIDI. Android 6+ has MIDI support. Linux gets multitouch support. Files are accessible in the file system of both iOS and Android – including all those project, image, and sound files. There are more audio export options, new brushes, new lighten and darkening layering modes like you’d expect in Photoshop, and lots of shortcuts. Check the full changelog:
Of course, because it runs on every platform (well, every modern platform), you can sketch an idea on your Android phone, move to iPad and work some more, then load it onto your PC and drop it into a DAW.
Frankly, I think it’s more exciting than anything from Apple this week, but I am impossibly biased toward this esoterica so … that goes without saying.
The post Jam like you’re in a Tarkovsky film with this major app update appeared first on CDM Create Digital Music.
Beat Bars has recently launched two MIDI adapters that allow you to connect standard pedals directly to a computer and use them to control effects in real time. The EX2M adapter provides a connection between the expression pedal and the computer through USB. It is intended for musicians who want to connect standard pedals directly […]
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You know the Minimoog and the modular. But do you know The Operator – a business telephone? Or the Moog air hockey game? The Moog name wound up in some strange places in the 80s.
These creations have little to do with Bob Moog. The company first known as R.A. Moog underwent buyouts by other manufacturers, before Bob Moog left the company bearing his name in 1977. Then around 1981, Moog turned to contract manufacturing – at aroundthe same time as the last Minimoog came off the assembly line. Management bought out the company in 1983 and did even more contract work.
But some of the weird side tracks that happened next are nothing if not intriguing. And synth manufacturers diversifying isn’t actually that strange a concept. We have to remember that part of what allows our industry to make weird devices like boutique modules is that we can source components and contract manufacturing from companies making other stuff. (Case in point – I spent Friday morning at ALFA in Riga, who partner with Erica Synths, Gamechanger Audio, and others. Even ALFA gets the lion’s share of revenue from other stuff – in their case, it seemed to be electronic safe circuitry and supplying the Russian car industry. That’s to say nothing of factories in Shenzhen, China.)
So, sure, the most infamous contract synth was the SSK Concertmate for Tandy Corp (aka the brand name used by Radio Shack). But there’s more. As Moog Electronics in the mid-80s, the company made subway door openers and climate control systems. And then these:
The Operator (originally the Telesys 3) in 1983 was a business phone with some features I’d find handy today, even if they’re dated:
- A digital clock with stopwatch, automatic call timing, and alarms
- Custom ring tones, plus a timer that sets the ringer to mute automatically
- Tons of memory positions and automation
- Built-in calculator
- Built-in paper address book
- Call scheduling
- Automatic redial for getting through on busy numbers
- A “privacy detector” that warns you if someone has picked up the line and is listening in
— plus this being the 80s, it also boasted all kinds of archaic compatibility features so it would work with touch, rotary, and pulse lines and corporate PBX and interfacing. Some things we definitely won’t miss.
Of course, the main synth connection here is, Moog Electronics accidentally predicted the FM synth that would one day come from Ableton. Ahem. But the “Moog Telecommunications” name tells you they aspired to make more devices, even if that never happened.
The Operator resurfaced this weekend on Reddit.
You’ll find this image and history on Moogarchives, which has the best timeline of the company’s story:
An air hockey game
Moog’s logo is on the scoreboard because they made the sound generation circuits. User vorlon42 (whoa, is that a Babylon 5 reference crossed with a Hitchhikers’ Guide reference?):
About 20 years ago, a Buffalo, NY-based company called Innovative Concepts in Entertainment rolled out a heavy-duty arcade-quality table hockey game called Chexx. Like the old “slot hockey” games many of us who grew up in the northern US and Canada had when we were kids, we could control each player (forwards, defensemen, and goaltender) by pushing and pulling a rod for each player, and turn the player by twisting the rod left and right. The playing arena was encased in a hard lucite dome, so that the puck wouldn’t fly out of the arena.
On top of the dome was an box scoreboard with three lights on each of its four sides, and sound-generation circuitry that would play crowd noises and organ “charge” riffs. The electronics for the game was manufactured by…..Moog Music. The Moog logo was featured prominently on the scoreboard.
The Chexx game, and successive versions, can be found in various game rooms, arcades, amusement parks, and sports bars around the world. The most recent version is called Super Chexx. (Unfortunately, it lacks the Moog music circuitry.)
You can still find the game manufacturer.
I love that the Russia-US matchup lets you recreate the miracle on ice. (Well, unless Russia wins, of course.)
A music system for the Commodore
The Moog Song Producer was a very useful looking interface for the Commodore 64 – something you might want even now, if you’re a chip music fan. It’s a combination of software (for sequencing) and I/O for both MIDI and analog signal:
· 1 MIDI in
· 1 MIDI thru
· 4 MIDI outs
· 8 drum trigger outs
· 2 Footswitch ins
· 1 Clock/sync in
· 1 Clock/sync out
Friend of the site (and Retro Thing alum) Bohus Blahut wrote into Matrixsynth in the heady days of 2005 to add more detail:
These aren’t actually rare at all. I’ve seen them on Ebay dozens of times. I think that I got mine for $30 a few years back. I haven’t used it yet (know how that feels?), but it is an amazing package. The thing that would make it even more amazing is if Moog had ever come out with the device mentioned in the manual; an analog sound module. How hip would that be?
A Gibson guitar
Long before the 2008 Paul Vo Moog Guitar, there was the Gibson-Moog collaboration RD series guitar. This even predates Moog Electronics, so Bob Moog himself designed the circuit – an active preamp intended to widen tonal range and make the sound compete with the synth. Or something. With bright, treble, and bass modes, plus compression and expansion, it was more complex than guitarists might have wanted at the time – but also more capable. You can read up on it at Reverb.com:
Evidently, it sounded like this?
As for those electronics creations – well, it was acceptable in the 80s.
Got more? Hit us up.
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Plugin Boutique has launched an exclusive sale on Midi Madness 3, the algorithmic melody generator that can create an unlimited number of melodies using a simple set of probability weightings. Introducing Midi Madness 3 – The latest version of the world-class MIDI generator. Midi Madness 3 can create an unlimited number of melodies using a […]
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Audio Plugin Deals has launched the Boutique Mega Deal, offering a 78% discount on a bundle of synthesizer instruments, MIDI & audio effects and cinematic Kontakt instrument libraries. Valued at $554, the Boutique Mega Deal is now available for just $119.99 for a limited time only – you save a whopping $434!. This is an […]
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Toontrack announced the release of the World Music EZkeys MIDI pack, a new MIDI collection for the EZkeys virtual instrument. Just like every country and part of the world has its own language, art and expression, it also has its own musical identity. However, while we may struggle to understand words and diction, music knows […]
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