Processing

A free plug-in brings extreme PaulStretch stretching to your DAW

You’ve heard Justin Bieber mangled into gorgeous ambient cascades of sound. Now, you can experience the magic of PaulStretch as a free plug-in.

It may give you that “A-ha” moment in ambient music. You know:

The developer has various warnings about using this plug-in, which for me make me want to use it even more. (Hey, no latency reporting to the DAW? Something weird in Cubase! No manual? Who cares! Let’s give it a go – first I’m going to run with scissors to grab a beer which I’ll drink at my laptop!)

Specifically:

The plugin is only suitable for radical transformation of sounds. It is not suitable at all for subtle time corrections and such. Ambient music and sound design are probably the most suitable use cases.

You had me at radical / not subtle.

Okay… yeah, this was probably meant for me:

You can use it two ways: either load an audio file, and just run PaulStretch in your DAW, or use it as a live processor on inputs. (That’s weird, given what it does – hey, there was some latency. Like… a whole lot of latency.)

It’s on Mac and Windows but code is available and Linux is “likely.”

https://xenakios.wordpress.com/paulxstretch-plugin/

If you want the original:

http://hypermammut.sourceforge.net/paulstretch/

https://github.com/paulnasca/paulstretch_cpp

That does other nifty tricks, like binaural beats.

But the plug-in I think just became the easiest way to use it. Now go forth and make long sounds and chill to them.

The post A free plug-in brings extreme PaulStretch stretching to your DAW appeared first on CDM Create Digital Music.

TX Modular is a vast, free set of sound tools in SuperCollider

Granulators, drones, mixing, synths, effects, control, and on and on – TX Modular is an insanely huge set of tools, and the cost is zero.

SuperCollider, the free and open source sound creation environment for Mac, Windows, and Linux, is vast and powerful. The problem is, actually getting into it is … a little arcane. Talk to many frequent SuperCollider users, and what you’ll find is that they’ve assembled personal libraries of code snippets to work with it. So it can feel a bit like trying to talk your way into a secret society, if you’ve come from another sound creation environment.

Paul Miller writes to share his TX Modular System, which gives you the keys to a huge treasure trove of modules, and some easier ways of combining them.

All of this also means you don’t have to touch SuperCollider code if you don’t want to – though you can add that, too, if you like. (And you can run some code without having to build everything else you need from scratch.)

And it’s all just kind of mind boggling. Just to give a small overview, you get – among other things:

Synths and drones. In addition to the more conventional stuff you’d expect, there are a range of unique morphing synths, wave terrain instruments, drone and noise makers – rare, creative stuff. And there are polyphonic synths with a special emphasis on physical modeling and filter-based sound.

Samples and granulators. Grains are part of the appeal of SuperCollider – these instruments have lots of variations to experiment with sound, plus more conventional players, loopers, and sample-based synths.

Effects. There’s an insane amount here: delays, amp simulation and distortion, waveshapers, bitcrushers, extensive dynamic processing, EQ and flter, resonators, reverbs, and then extra stuff like spectral delays, harmonizers, and vocoders. From studio-style processing to weirder realms, it’s the full gamut, and within a modular paradigm.

Mixing and processing. Need a Mid-Side encoder? Faders? It’s there, too.

Control. Arguably, the rise of Eurorack modular has renewed the interest in actually getting creative and musical with patching itself. So, here you get clock dividers and a rich variety of envelopes and the like, in addition to basic LFOs and such. And at the same time, you get modulation that’s only possible in the digital realm, like random walks and Perlin Noise (a particular digital algorithm with nice, organic results), plus physics models of balls and springs.

Hardware input. Here, too, you get some of the advantages of the computer: work with OpenSoundControl natively, add Wiimotes, plenty of MIDI processors, and more.

Sequencers. Most modular environments break down when it comes to the sort of sequencing in DAWs – but not here. There are scale, chord, note processing, and piano roll sequencers, not just some limited step sequencers. You can even work with multiple tracks or use sequencers for modulation and actions.

UI. For building interfaces, you get various widgets for knobs and sliders.

And of course, you still have SuperCollider for extending all of this, with convenient modules for adding your code to the modular environment.

A mature release is out now as of last month, with a powerful new multitrack sequencer and note processing, FM granulator, a new reverb, and module improvements. (In case you were already up and running with TX, you’ll find what’s new in this release, entitled 087, included in the release notes.)

It’s almost ridiculous that Paul has created this for free. But it’s a beautiful, completely open source solution:

http://www.palemoonrising.co.uk/index.html

On Mac, you can download a standalone, but the whole environment works on Mac, Windows, and Linux so long as you install SuperCollider first.

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This free phaser from NI is a must, even if you don’t like phasers

Native Instruments has a free phaser plug-in called Phasis as a holiday special – and, wow, definitely don’t skip this one.

Here’s the deal: as NI do yearly, they’ve got a holiday special going. This year, there’s an e-voucher and a giveaway contest and blah blah — let’s skip to Phasis.

Phasis is a free plug-in (VST, AU, AAX) for Mac and Windows. You’ll need to sign up for the mailing list, then get a serial number to enter into Native Access, NI’s latest all-in-one software for managing licenses and updates. That tool works well, though one note on Windows: look for the phasis.dll file on your hard drive, as I had to manually copy it to the correct VST plug-in folder.

Phasers may call to mind cheesy guitar effects and overused pop sounds, but this one’s different. Here’s how NI describe it:

PHASIS is a brand new phaser. It offers timeless phasing sounds – adding movement, soul, and creative magic to any signal. PHASIS draws inspiration from classic phasers but adds powerful new features for never-heard-before results. The Spread control changes the spacing of the phaser’s notches, for vocal-style effects. Ultra mode pushes modulation to ultra high rates, producing unique FM-esque tones. Download the VST/AU/AAX plug-in for free now!

It’s the combination of the phaser with those notch filters and “ultra” extreme audio rate modulation that produces something genuinely novel. I apply it here to a bland 909 drum loop, and already you get some more radical results:

Holiday Deal or …

Phasis download page

Wow, Windows backwards compatibility has gotten way easier than the Mac… Mac users will need 10.11 or later (10.13 if you use Cubase); Windows runs back to Windows 7. Well, once we find the darned VST plug-in folder. I’ll put it on both my machines. I only wish we’d gotten a Reaktor ensemble here so we could play around with the innards.

The post This free phaser from NI is a must, even if you don’t like phasers appeared first on CDM Create Digital Music.

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