Radio Music is a virtual radio / sample player module, that behaves a bit like a radio. You can tune to the “stations” using the front panel control or the CV input jack and playback audio file from a SD card. … Read More SSL Brings Music Thing Modular Radio Music Module To 5U
The latest loopop video takes a look at 16 ways to get more from the Elektron Digitakt.… Read More 16 Ways To Get More From The Elektron Digitakt
Reader Dave Mech shared this video, capturing his sampling walk through Utrecht and subsequent travelogue jam. … Read More Sampling Utrecht With Digitakt
We got a preview of the next firmware update, 2.1, from Synthstrom’s Ian Jorgensen. New features include a waveform editor view, multi-sample import, streamlined kit building and more. … Read More Synthstrom Audio Deluge 2.1 Sneak Preview From Knobcon 2018
This video is a quick review of the Zoom ARQ-96 – a unique drum machine, sequencer, synthesizer, looper, and MIDI controller.… Read More Zoom ARQ-96 Review
Native Instruments just dumped a whole bunch of product news today – almost too much to follow. Here’s all of it in a nutshell. Spoiler: a new Massive synth is coming, TRAKTOR 3 is here, and it’ll cost less to get into their DJ, Maschine, and keyboard ranges.
There are two things coming that are really, really cool. One is the Massive synth, the power plug-in that sort of accidentally helped launched EDM, is back. And maybe to make up for EDM, now there’s a bunch of new features everyone will love. (Please, please try not to make another giant American/European dance genre with them.)
And on the DJ side, as I wrote separately, you get a new version of TRAKTOR plus a controller with moving, “haptic” wheels that’s more fun to play.
Other than that, this is mostly just about refreshing the product range and adding some more cost-effective entry points. Let’s follow along:
MASSIVE X: Roughly a decade later, we get an all new flagship NI synth. Massive X has a new sound engine that takes advantage of today’s CPUs, new subtractive filters, lots of new effects, and a big modular engine for routing everything together. We should get more of the grimy, analog-modeled sound Reaktor Blocks and Monark and their ilk have given us, but despite “Monark” appearing on the filters, NI’s engineers tell me they wrote new code. Massive X is interesting, though: it seems both simpler and more understandable on first glance, but deeper and more modular under the hood.
Unfortunately, you’re going to have to wait to see more – Massive X is due in February, and the screenshots I’ve seen aren’t yet available to the public.
It’ll lead Komplete 12, though, across all editions. The existing Massive remains bundled with Maschine, and will continue to see updates – as it’s far lighter on CPU usage.
New KONTAKT. Kontakt 6 is another long-awaited update. For end users, there are new instruments: Analog Dreams (retro synths), Ethereal Earth (hybrid traditional/synthesized instruments), and Hybrid Keys (digital/keyboard combos).
But it’s really the behind-the scenes stuff that matters here. You can add three new reverbs, Replika delay, wah-wah, and a new wavetable engine to your instrument creations. There’s also a powerful Creator Tools app for people building sound libraries for their ecosystem, including instrument editing and debugging.
In other words, what you’ll really want to do with Kontakt 6 is play around with that wavetable module and make your own instruments.
KOMPLETE KONTROL A-Series – the cheaper ones. Like the NI keyboards and their easy navigation / mapping, but don’t like the higher price and don’t need (or want) those light-up colors? The A-Series is for you. The display is tiny, but the encoders are still usable and touch sensitivity means you can see which parameters are mapped to each encoder. NI have also developed their own semi-weighted keyboard action – and it feels pretty good. In return, prices are way lower – US$/EUR 149 (25-key), 199 (49-key), and 249 (61-key). Seems like it’ll be a huge hit.
KOMPLETE KONTROL S88 – the hammer one. The fully-weighted, hammer-action S88 gets an overdue MK2 refresh (it was one generation behind all the other sizes), so with the new displays and control features, plus wheels and not just touchpads. Also, while it’s a Fatar keybed, they’ve chosen a different one with a slightly faster action. I like this one better, for sure – it’s on par with some of the better liked hammer keys in recent years (feeling to me indistinguishable from the Kawaii keyboards, for instance). USD/EUR 999.
MASCHINE MIKRO The new MIKRO lets you access Maschine without hooking up a larger controller. That seems ideal for tight spaces and tight budgets. It doesn’t have exactly the same pads as the MK3, and losing those big displays is definitely a tradeoff. But I’ve got one in to test to see how the pads compare, and I personally relish the idea of keeping the MIKRO hooked up at all times in my shared studio rather than constantly swapping the larger controller with other machines.
The software bundle is where this gets really nice: Maschine Factory Selection (still a full 1.6G of sounds), Massive, Monark, and Reaktor Prism, and of course a MIDI mode for use with other software. Price for all of this is US$/EUR 249, with all that software no one else has.
TRAKTOR 3. The latest Traktor Pro 3 is a major rebuild, with a slick, flat new look, and a much easier, more powerful interface. Mixer FX are more direct one-knob effect and filter controls that are made ready for live jamming. Audio quality is improved, too, with the ability to route mixer audio entirely externally and a new time stretching algorithm. More on this soon.
TRAKTOR S4. Haptic wheels, an updated controller setup, dirt-resistant faders, and full inputs and outputs for $899 makes this the flagship controller to beat. Full preview:
TRAKTOR S2. The S2 looks and feels a lot like the S4. Sure, it lacks the S4’s fancy haptic wheels, but at least the build is similar. The S2 is still a capable entry-level controller, though it will have to go up against Pioneer offerings that work with their CDJ and Rekordbox ecosystems (aka “pack only USB sticks and go to the club” ecossytems). I’m also curious how it compares to Roland’s new controllers, which work with Serato and feature low-latency operation and some 808-inspired drum extras. But it looks like it brings a lot of what was great about the Z1, only with the ability to beat match on wheels.
Note that this promises future iOS compatibility, though. Time for an updated mobile TRAKTOR, no doubt. US$/EUR 299.
Online platforms. Sounds.com itself looks largely as we’ve seen it – so we’re still waiting on how this will integrate with NI’s products or what other features it will bring. But it is expanding internationally to more countries and adding new content. The Loop Loft soundware site and Metapop online collaboration/community hub meanwhile, each recent NI acquisitions, see their own updates. I hope to talk to Mate Gallic from NI about how this is all fitting together.
KOMPLETE 12. A lot of these products center around the new Komplete bundle. This year’s edition includes the all-new Kontakt 6 and electric sunburst Session Guitarist, Massive X (later on, when it’s done), and TRK-01, the Reaktor-powered kick/bass synth. (TRK-01 came out this summer and is stupidly cool, like dangerously so. More on that another time.)
When they’re available
NI don’t normally announce products this far ahead of shipping, so it’s worth just putting this on a timeline.
Now: Sounds.com, Loop Loft, Metapop updates (Web services)
Fall: Traktor Control S2 (vague on that date at the moment)
September 18: Maschine MIKRO
September 27: S88 keyboard
October 1: Kontakt 6, Komplete 12
October 18: Traktor Pro 3
October 23: Komplete Kontrol A-series keyboards
November 1: Traktor S4
February 2019: Massive X
And you get this video now, of course:
The post New Massive, cheaper cost of entry, and all today’s NI news, explained appeared first on CDM Create Digital Music.
Here’s an entertaining look at the Terminator 2 soundtrack, focusing on the sampling and synthesis techniques that help define the soundtrack’s sound. … Read More Inside The Score Of Terminator 2: Judgment Day
Hainbach makes use of the divide and shuffle functions of the MiniDisk to turn it into a random sample playback device. … Read More MiniDisc Techniques for Ambient/Experimental Music Production
The folks at Bitwig have been picking up speed. And version 2.4, beta testing now, brings some promising sampler and controller features.
The big deal here is that Bitwig is going with a full-functioning sampler. And as Ableton Live and Native Instruments’ Maschine pursue somewhat complex and fragmented approaches, maybe Bitwig will step in and deliver a sampler that just does all the stuff you expect in one place. (I’m ready to put these different devices head to head. I like to switch workflows to keep fresh, anyway, so no complaints. Bitwig just wins by default on Linux since Ableton and NI don’t show up for the competition. Ahem.)
The re-built Sampler introduces a powerful wavetable/granular instrument. At its heart are multiple modes that combine effectively different instruments and ways of working with sound into a single interface:
“Repitch” / Speed + pitch together: The traditional sampler mode, with negative speeds, too (allowing it to behave the way a record player / record-scratch / tape transport does).
“Cycles” / Speed only: Speed changes, pitches stay the same. There’s also a Formant control, and the ability to switch on and off keyboard tracking. (In other words, you can scale from realistic-sounding speed changes to extreme metallic variations.)
“Textures” / Granular resampling / independent pitch and speed: Granular resynthesis divides up the sound into tiny bits allowing independent pitch and time manipulation (in combination), and textural effects. Independent speed, grain size, and grain motion (randomization) are all available as parameters.
Freeze: Each mode lets you directly manipulate the sample playhead live, using a controller or the Bitwig modulators. That emulates the position of a needle on a record or playhead on a tape, or the position in a granular playback device, depending on mode – and this is in every single mode.
Oh. Okay. Yeah, so those last two are to me the way Ableton Live should have worked from the beginning – and the way a lot of Max, Reaktor, Pd, and SuperCollider patches/code might work – but it’s fantastic to see them in a DAW. This opens up a lot of live performance and production options. If they’ve nailed it, it could be a reason to switch to Bitwig.
But there’s more:
Updated Multisampler Editor: Bitwig’s Sampler already had multisampler capabilities – letting you combine different samples into a single patch, as you might do for a complex instrument, for instance. Now, you can make groups, choose more easily what you see when editing (revealing samples as you play, for instance), and set modulation per zone. There’s also ping-pong looping and automatic zero-crossing edits (so you can slice up sounds without getting pops and clicks).
There’s a new device that lets you step sequence modulation. Here’s how they describe that:
ParSeq-8 is a unique parameter modulation sequencer, where each step is its own modulation source. It can use the project’s clock, advance on note input, or just run freely in either direction. As it advances, each step’s targets are modulated and then reset. It’s a great way to make projects more dynamic, whether in the studio or on the stage. (Along the way, our Steps modulator got some improvements such as ping-pong looping so check it out too.)
Also in the modulation category, there’s a Note Counter — count up each incoming note and create cycles of modulation as a result.
More powerful with controllers
Bitwig has been moving forward in making it easy to map hardware controls to software, even as rival tools (cough, Ableton) haven’t advanced since early versions. That’s useful if you have a particular custom hardware controller you want to use to manipulate the instruments, effects, and mixing onscreen.
Now there’s a new visualization to give you clear onscreen feedback of what you’re doing, making that hardware/software connection much easier to see.
There’s also MIDI channel support. MIDI has had channels since the protocol was unveiled in the 80s – a way of dividing up multiple streams of information. Now you can put them to use: incoming MIDI can be mapped and filtered by channel. That’s … not exciting, okay, but there are dedicated devices for making those channels useful in chains and so on. And that is fairly exciting.
And more stuff
Also in this release:
Bit-8 audio degrader gets new quantization and parameters for glitching or lightly distorting sound
Note FX layer creates parallel note effects
There’s more feedback in the footer of the screen when you hover over parameters/values
Resize track widths, scene widths
Looks like a great upgrade. Beta testing starts soon, to be followed by a release as a free upgrade for Upgrade Plan users this summer.
The post Bitwig Studio 2.4: crazy powerful sampler, easier control appeared first on CDM Create Digital Music.
Expert Sleepers has released a free update for the disting mk4 multifunction Eurorack module, adding multisample audio playback and more. … Read More disting mk4 Update Adds Multisample Audio Playback