AudioThing updates Reels tape emulation plugin to v1.1

AudioThing Reels

AudioThing has released version 1.1 of Reels, a tape emulation plugin with built-in echo section and tape-stop effect. Reels brings a rough retro analog sound to your mixes. Based on an old Japanese portable tape recorder with a very distinct Lo-Fi analog sound, Reels emulates all the imperfections of consumer reel-to-reel recorders. We have modeled […]

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Tone Empire Sale: Loc-Ness & Goliath effect plugins 50% OFF

ToneEmpire 50 PluginBoutique

Tone Empire has launched a sale on its Loc-Ness and Goliath audio effect plugin, offering a 50% discount for a limited time. Loc-Ness is a drum/percussion processor effect plugin. Drums…, the most crucial part of your mix that can make or break a track. For decades pro engineers have used various combinations of compressors, pre-amps […]

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Save 75% on BeatSkillz Reelight tape saturation plugin, on sale for $19 USD!

BeatSkillz Reelight

BeatSkillz has launched a limited time sale on Reelight, offering its tape saturation effect plugin for only $19 USD for the next few days. Reelight is a tape saturation plugin with many features for getting an authentic tape vibe and also some of the desirable artifacts associated with tape. The plugin authentically emulates tape saturation […]

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Save 60% on the Complete Drums 2 sample pack by Wave Alchemy

Wave Alchemy Complete Drums 2

Plugin Boutique has launched a sale on the Complete Drums 2 bundle, offering a 60% discount on the complete collection of every drum sample pack Wave Alchemy has ever created. A labour love spanning 10 years (and tens of thousands of hours of sound design), Complete Drums is the culmination of Wave Alchemy’s life-long achievement […]

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Flintpope releases free Amp Hum & Tape Noise plugins (VST/AU)

Flintpope AMP TAPE

Flintpope has released two new free VST/AU plugins designed to deliver lofi noise-making and live-vibe grit to your tracks. AMP injects some nasty hum into your track. Make it loud or quiet, pan it, pitch-shift it (record changes with the pitch-bend on your midi keyboard) filter it (cut) or just kill it! Just hit any […]

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Echo Fix EF-X2 Tape Echo available for pre-order from Reverb

Echo Fix EF X2 Tape Echo feat

Reverb.com has announced an exclusive pre-order offer for the Echo Fix EF-X2 Tape Echo, with only 50 units available at a special discounted pre-sale price. A classic effect, built for modern users – the EF-X2 couples the sounds you know and love, with features and reliability unimaginable in the past. In designing the EF-X2, the […]

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SampleScience releases Pastoral Piano, vintage acoustic piano recorded on tape

SampleScience Pastoral Piano feat

SampleScience has announced its latest virtual instrument Pastoral Piano, a vintage acoustic piano plugin emulation with analog synthesis capabilities. The plugin features a 70 years old acoustic piano recorded on tape. Genuine analog saw and sine waveforms were added to had depth to the sound. A space reverb is also included. In a small shack […]

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Oops: April Fools’, at best, gave us stuff we actually want

Well, congratulations – you’ve survived another April Fools’ holiday. At worst, it can be unfunny and confusing. At best, though, it raises a different question – should we actually start dreaming up and making more ridiculous ideas?

Okay, I don’t necessarily want to be the grinch of April Fools’. And maybe now is not the right time to raise this – like, someone might say that it could have something to do with the fact that I attempted a product launch on the holiday, uh, yesterday. (What? That was me? Oh, yeah – it was. MeeBlip geode is not a joke. We are really making it. And um… yeah, that did wind up hitting some confusion, even though there’s nothing particularly April Fools-y about geode.)

While it’s had some glimmers of clever parody, the collision of April Fools’ with an attention-starved Internet has led to a noisy confusion of a bunch of people deciding to write parody press releases and videos, and the ideas can get repetitive. And it can confuse everyone about real news – not just ours. This year, the date came between two of the bigger synth and electronic music events of the year – sandwiched not more than 24 hours apart from Synthplex in the USA and Musikmesse in Frankfurt, Germany. (Yes, Messe is again a thing; even with Superbooth in Berlin stealing away modular makers, there’s a lot of musical instruments business outside modular, a lot of distributors in Germany, an entire industry around lighting tech, the music education business in Germany, and a competitive Messe organization slashing rates on booths, so expect it to stick around.)

But about the fake products we wish were real products … sigh, again.

Biggest culprit: KORG.

Yeah, okay, it’s probably not terribly practical for KORG to make a cassette volca. On the other hand, it’s not just the Rickroll video that’s tonedeaf to 2019 – lots of us have repurposed our cassette decks. I have a Yamaha multitrack sitting next to me in the studio wired up. People are making tape loops with Walkmans. There are tape labels. Bastl Instruments and Teenage Engineering, among others, have made digital decks that reimagine tape loops and tape playback. And having seen weird tape players show up on Amazon, I expect it’s not impossible to make new hardware that includes mechanical tape playback in it.

So the joke’s really on KORG here. Instead of getting pranked or sharing this because it was funny, literally thousands of people jumped on the idea of a KORG volcasette. (Obviously the biggest clue in – using KORG’s volca series nomenclature, it should have been KORG cassette or KORG tape. Just sayin’.)

The proposed features of this thing already exist on multitrack tape recorders, but the mind reels with other possibilities – looping, sampling, strange custom tape echoes…

And yes, of course there was the Ableton’s ReChorder – maybe the one amusing part of the parody there was, the awful music at the end does kind of remind me of some terrible demos of unusual instruments over the years. This one we can at least leave out of the instances of products people would want.

But even silly April Fools’ products can go viral – perhaps because we live in a world where brands are doing such strange things already, it’s not clear how you could make a joke that was any more absurd.

So, a HYPERX CUP MIX-IN pair of headphones shaped like two Cup Noodles containers and a fork had some of us … wanting instant ramen … and others actually wanting to try to buy the product. (Various blogs even picked this up assuming it was real.) I have a pair of Beats by Dre headphones in white that I suddenly want to mod to actually do this.

Useful? No. Possible to DIY? Yes. Tempting? Oh, indeed. (I’m sure some sort of ramen container housing could work.)

CUP NOODLES®
HYPERX CUP MIX-IN

Then there was this USB-C hub covered in legacy ports. Except… yeah, I definitely would buy something like that. (SCSI for old drives? Actual analog video? Tons of extra ports, or card readers?)

Sure, this is … not totally possible. But parts of it are and … you know you want it. Their ridiculous specs, though take any subset of these and you might be happy.

Thick, heavy, substantial styling.
Built-in 100Wh / 27000mAh airline-safe battery pack
2-in-1 speaker and space heater using the same front air vent holes (temperature depending on the number of active connections)
USB-C hub with a total of 40 ports
9 x USB-C
9 x USB-A
2 x microSD
2 x SD
1 x 3.5mm Audio Jack
1 x HDMI
2 x DisplayPort
1 x Mini DVI
1 x VGA
1 x Ethernet
1 x Modem RJ-11
1 x Optical Audio “Toslink”
1 x Firewire 400
1 x Firewire 800
2 x RCA
1 x Parallel Port
1 x Serial Port
1 x PS/2
1 x AT Port
1 x 3.5” Floppy Disk Drive

Hyper Releases The Mother Of All USB-C Hubs

Hey, there is a lot of bandwidth on Thunderbolt 3. I think this particular device might catch fire. But it is possible to have more ports.

Part of the reason this isn’t a joke: a friend urgently needed to pull files off a SCSI drive. I wound up looking back at Apple machines from just around the turn of the century, which in fact had every port you could imagine. The bronze keyboard PowerBook G3 Series, for instance, includes both USB and SCSI – and since it runs used for $200, you can actually buy that entire laptop to transfer data from legacy drives more easily than you can buy a modern SCSI adapter. (The adapters appear to be both more expensive and more scarce than the entire computers.)

Or for a more extreme example, consider the PowerMac G3 Series. This machine was everything Steve Jobs stamped out at Apple – boxy, with a beige slightly curved-out ID design language that mostly evolved under CEO John Sculley. But it sure had ports. Photo (CC-BY-SA) Miguel Durán.

Maybe you’ll rescue the legacy devices, but I do miss analog video – badly. And the notion of professional machines where you might actually connect various hardware, that bit still seems relevant. I love compact and friendly devices, but I also love choice.

And of course the only real joke is trying to figure out how to buy a USB-C device or cable … ahem … (to say nothing of those Apple cable prices).

Maybe the bottom line here, though, is that one person’s joke is another person’s dream. Some of the best, most creative ideas start as jokes. April Fools’ as far as I’m concerned in tech just needs to go away – it’s a day that adds noise and confusion to media that don’t need more of that, ever. But here’s another approach: maybe we should be willing to dream up absurd ideas the other 364 days of the year.

You know.

See any April Fools’ jokes you wish were real – and anybody up for actually making it happen?

Time to pick up a Walkman at the next flea market and start hacking; that’s for sure.

[Side note – unless you think I’m alone in this, The Verge has been pointing out April Fools’ as the (literally) Medieval time waster that needs to die. And Microsoft also banned April Fools’, which might itself seem like a punchline, except that … no, we really want you to be focused on your damned software, actually, so agreed.]

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Two free plug-ins and a music label take you into ambient worlds

What’s to say a music idea can’t be both a tool and a tape, an instrument someone could play or an album they can get lost in? Puremagnetik are launching their new experimental label with two free tools that let you keep the drones and grains and ambient soundscapes flowing.

There’s a bunch of hype this week because Warner Music signed an algorithm. And in turn with everyone abusing the term “AI,” you might well think that a computer has automated a composer’s job. Except that’s not what happened – in the long tradition of algorithmic music, a group of composers applied their ideas to the development of software. One of the first apps launched for the iPhone, in fact, was the Brian Eno – Peter Chilvers “Bloom.” Endel has more in common with Bloom, I’d argue, than it does some dystopia where unseen, disembodied AI come to rob you of your lucrative ambient music recording contract. (At least, we’re not there yet. Endel is here in Berlin; I hope to talk to them soon – what they’ve done sounds very interesting, and maybe not quite what the press have reported.) Bloom in turn was a follow-up to Eno’s software-based generative music releases. Ableton co-founders Gerhard and Robert released software in the 90s, too.

So let’s talk about the role of musician as blurred with the role of instrument builder. Soundware and software shop Puremagnetik is made by musicians; founder Micah Frank was moonlighting in sound design for others as he worked on his own music. While this may come as shocking news to some, it turns out for many people, selling music tools is often a better day job than selling music or music performances. (I hope you were sitting down for that bombshell. Don’t tell my/your/anyone’s parents.)

But there are many ways to express something musically. Many of us who love tools as we do love playing live and recording and listening do so because all of these things embody sound and feeling.

It’s fitting, then, that Puremagnetik are launching their own record label to house some of the recorded experiments – Puremagnetik Tapes, which already has some beautiful music on cassette and as digital downloads.

And the perfect companion to those albums is these two free plug-ins. Like the label, they promise a trip for the mind.

The two first tapes (also available as digital)… gorgeous sound worlds to lose yourself in on loop.

The label announces it will focus on “experimental, ambient and acousmatic music.” That already yields two enchanting ambient forays. “Into a Bright Land” is in turns crystalline and delicate, warm and lush as a thick blanket. It’s Micah Frank himself, releasing under his Larum moniker. The musical craft is a digital-analog hybrid, part synths and tape machines – the kind the company has been known for sampling in its sound work – and partly Micah’s intricate custom coding work in the free environment Csound.

https://puremagnetik.com/collections/tapes/products/larum-into-a-bright-land

To accompany Into a Bright Land, there’s the plug-in “Expanse,” a “texture generator,” with a combination of “texture tone” filter, spectral blurring, adjustable pitch shift, and a healthy supply of noise generation and space.

Its drones and sonic landscapes draw from that same world.

Tyler Gilmore aka BlankFor.ms has crafted “Works for Tape and Piano,” pushing each instrument to its most vulnerable place, the tape itself becoming instrument, sounding almost as if at the point of a beautiful breakdown.

https://puremagnetik.com/collections/tapes/products/blankfor-ms-works-for-tape-and-piano

Since you can’t just borrow Tyler’s tape machines and such, Driftmaker is a digital equivalent – a “delay disintegration” device. Add your own audio, and the plug-in will model analog deterioration. The artist himself supplies the presets. Again, you have plenty of control – “parse” which sets the record buffer, “chop” which determines how much to recall, and then controls for delay, modulation, filtering, and wet/dry.

Both plug-ins are free with an email address or Gumroad login.

…and the plug-ins, each created to aesthetically accompany the albums.

There’s a pattern here, though. Far from a world where artists remove themselves from craft or automate the hard work, here, artists relish in getting close to everything that makes sound. They make music the hard way because each element of DIY is fun. And then they share that same fun. It might well be the opposite of the narrative we’re given about AI and automation (and I suspect that may also mean artists don’t approach machine learning for music in the way some people currently predict).

Or, well, even if you don’t believe that, I think you’ll easily lose whole evenings with these albums and plug-ins alike.

Details:

https://puremagnetik.com/blogs/news/two-free-plugins-expanse-driftmaker

Requirements: macOS X 10.8 (AU, VST) or Windows 10 (VST) 64-bit plug-ins

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Klevgränd releases new FreeAMP audio gear modeler plugin (AU/VST/AAX)

Klevgr FreeAMP

Klevgränd has announced a new free audio effect plugin for Windows and Mac. FreeAMP is a stripped-down version of Klevgrand’s popular analog audio gear modeler REAMP, a complex spectral saturation processor, simulating a set of different analog gear in a unique way. Even if FreeAMP looks simple at the first glance, all the algorithms from […]

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