Eerie, amazing sounds from tape loops, patches – like whales in space

Fahmi Mursyid from Indonesia has been creating oceans of wondrously sculpted sounds on netlabels for the past years. Be sure to watch these magical constructions on nothing but Walkman tape loops with effects pedals and VCV Rack patches – immense sonic drones from minimal materials.

Fahmi hails from Bandung, in West Java, Indonesia. While places like Yogyakarta have hogged the attention traditionally (back even to pre-colonial gamelan kingdom heydeys), it seems like Bandung has quietly become a haven for experimentalists.

He also makes gorgeous artworks and photography, which I’ve added here to visualize his work further. Via:

This dude and his friends are absurdly prolific. But you can be ambitious and snap up the whole discography for about twelve bucks on Bandcamp. It’s all quality stuff, so you could load it up on a USB key and have music when you’re away from the Internet ranging from glitchy edges to gorgeous ambient chill.

Watching the YouTube videos gives you a feeling for the materiality of what you’re hearing – a kind of visual kinetic pcture to go with the sound sculpture. Here are some favorites of mine:

Via Bandcamp, he’s just shared this modded Walkman looping away. DSP, plug-in makers: here’s some serious nonlinearity to inspire you. Trippy, whalesong-in-wormhole stuff:

The quote added to YouTube from Steve Reich fits:

“the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound-to-sound) details and the overall form simultaneously. (Think of a round or infinite canon.)”

He’s been gradually building a technique around tapes.

But there’s an analog to this kind of process, working physically, and working virtually with unexpected, partially unstable modular creations. Working with the free and open source software modular platform VCV Rack, he’s created some wild ambient constructions:

Or the two together:

Eno and Reich pepper the cultural references, but there are aesthetic cues from Indonesia, too, I think (and no reason not to tear down those colonial divisions between the two spheres). Here’s a reinterpretation of Balinese culture of the 1940s, which gives you some texture of that background and also his own aesthetic slant on the music of his native country:

Check out the releases, too. These can get angular and percussive:

— or become expansive soundscapes, as here in collaboration with Sofia Gozali:

— or become deep, physical journeys, as with Jazlyn Melody (really love this one):

Here’s a wonderful live performance:

I got hooked on Fahmi’s music before, and … honestly, far from playing favorites, I find I keep accidentally running over it through aliases and different links and enjoying it over and over again. (While I was just in Indonesia for Nusasonic, it wasn’t the trip that made me discover the music – it was the work of musicians like Fahmi that were the reason we all found ourselves on the other side of the world in the first place, to be more accurate. They discovered new sounds, and us.) So previously:

The vaporwave Windows 98 startup sound remix no one asked for

The post Eerie, amazing sounds from tape loops, patches – like whales in space appeared first on CDM Create Digital Music.

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Get your Marbles: VCV adds free Mutable Instruments module

Out of a huge landscape of modules, Mutable Instruments stands alone with some of the best options. And those Mutable tools continue to make their appearance, for free, in VCV rack in software.

As we reported previously, VCV Rack are porting the open source, digital module line from hardware to software form once they’ve been shipping for a while.

The latest is another special addition: Marbles is a random voltage generator, reborn in the onscreen Rack software as Random Sampler. (That term also describes me, at a buffet.)

Random what?

Well, basically, Marbles is both a source of randomness and a sampler that can reproduce patterns. On the randomness side, you can generate clock or control signals – or modify external inputs – and add variation, from subtle to chaotic, slight fuzziness to branching patterns. That keeps things from getting too repetitive.

And then, in case you actually want some repetition or a recognizable phrase, you also have a sampler that stores and recalls patterns of voltages, cleverly dubbed “deja vu.”

That’s to me is a beautiful model of how you might want to control chance and variation, giving ears new and recognizable sounds, compositionally. Of course, this being a Mutable module, that power is consolidated in a few knobs, which can also be a delight to play with.

To try these in VCV’s Rack application, first install Rack, then look to the Audible Instruments preview plug-in:

And a lot of us are now installing multiple modulars on our computers and choosing to use a particular one when the use arises. So if the constantly-under-construction, wild and woolly developer side of VCV Rack makes you long for a more stable solution, it’s worth mentioning that Softube’s excellent Modular and all the paid add-ons are now steeply discounted. That includes an implementation of Mutable’s superb Clouds:

Kudos to Mutable and creator Olivier Gillet. He’s proven that software can be open source but sustainable commercially, and that it can be successful across multiple platforms at once – hardware and software. For anyone bold enough to follow, that could be a compelling direction for musical tools to take.

And after all, no one can resist marbles…


A life cycle for open modules, as Mutable Instruments joins VCV Rack

The post Get your Marbles: VCV adds free Mutable Instruments module appeared first on CDM Create Digital Music.

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