How to make a multitrack recording in VCV Rack modular, free

In the original modular synth era, your only way to capture ideas was to record to tape. But that same approach can be liberating even in the digital age – and it’s a perfect match for the open VCV Rack software modular platform.

Competing modular environments like Reaktor, Softube Modular, and Cherry Audio Voltage Modular all run well as plug-ins. That functionality is coming soon to a VCV Rack update, too – see my recent write-up on that. In the meanwhile, VCV Rack is already capable of routing audio into a DAW or multitrack recorder – via the existing (though soon-to-be-deprecated) VST Bridge, or via inter-app routing schemes on each OS, including JACK.

Those are all good solutions, so why would you bother with a module inside the rack?

Well, for one, there’s workflow. There’s something nice about being able to just keep this record module handy and grab a weird sound or nice groove at will, without having to shift to another tool.

Two, the big ongoing disadvantage of software modular is that it’s still pretty CPU intensive – sometimes unpredictably so. Running Rack standalone means you don’t have to worry about overhead from the host, or its audio driver settings, or anything like that.

A free recording solution inside VCV Rack

What you’ll need to make this work is the free NYSTHI modules for VCV Rack, available via Rack’s plug-in manager. They’re free, though – get ready, there’s a hell of a lot of them.

Big thanks to chaircrusher for this tip and some other ones that informed this article – do go check his music.

Type “recorder” into the search box for modules, and you’ll see different options options from NYSTHI – current at least as of this writing.

2 Channel MasterRecorder is a simple stereo recorder.
2 Channel MasterReocorder 2 adds various features: monitoring outs, autosave, a compressor, and “stereo massaging.”
Multitrack Recorder is an multitrack recorder with 4- or 8-channel modes.

The multitrack is the one I use the most. It allows you to create stems you can then mix in another host, or turn into samples (or, say, load onto a drum machine or the like), making this a great sound design tool and sound starter.

This is creatively liberating for the same reason it’s actually fun to have a multitrack tape recorder in the same studio as a modular, speaking of vintage gear. You can muck about with knobs, find something magical, and record it – and then not worry about going on to do something else later.

The AS mixer, routed into NYSTHI’s multitrack recorder.

Set up your mix. The free included Fundamental modules in Rack will cover the basics, but I would also go download Alfredo Santamaria’s excellent selection , the AS modules, also in the Plugin Manager, and also free. Alfredo has created friendly, easy-to-use 2-, 4-, and 8-channel mixers that pair perfectly with the NYSTHI recorders.

Add the mixer, route your various parts, set level (maybe with some temporary panning), and route the output of the mixer to the Audio device for monitoring. Then use the ‘O’ row to get a post-fader output with the level.

(Alternatively, if you need extra features like sends, there’s the mscHack mixer, though it’s more complex and less attractive.)

Prep that signal. You might also consider a DC Offset and Compressor between your raw sources and the recording. (Thanks to Jim Aikin for that tip.)

Configure the recorder. Right-click on the recorder for an option to set 24-bit audio if you want more headroom, or to pre-select a destination. Set 4- or 8-track mode with the switch. Set CHOOSE FILE if you want to manually select where to record.

There are trigger ins and outs, too, so apart from just pressing the START and STOP buttons, you can either trigger a sequencer or clock directly from the recorder, or visa versa.

Record away! And go to town… when you’re done, you’ll get a stereo WAV file, or a 4- or 8-track WAV file. Yes, that’s one file with all the tracks. So about that…

Splitting up the multitrack file

This module produces a single, multichannel WAV file. Some software will know what to do with that. Reaper, for instance, has excellent multichannel support throughout, so you can just drag and drop into it. Adobe’s Audition CS also opens these files, but it can’t quickly export all the stems.

Software like Ableton Live, meanwhile, will just throw up an error if you try to open the file. (Bad Ableton! No!)

It’s useful to have individual stems anyway. ffmpeg is an insanely powerful cross-platform tool capable of doing all kinds of things with media. It’s completely free and open source, it runs on every platform, and it’s fast and deep. (It converts! It streams! It records!)

Installing is easier than it used to be, thanks to a cleaned-up site and pre-built binaries for Mac and Windows (plus of course the usual easy Linux installs):

https://ffmpeg.org/

Unfortunately, it’s so deep and powerful, it can also be confusing to figure out how to do something. Case in point – this audio channel manipulation wiki page.

In this case, you can use the map channel “filter” to make this happen. So for eight channels, I do this:

ffmpeg -i input.wav -map_channel 0.0.0 0.wav -map_channel 0.0.1 1.wav -map_channel 0.0.2 2.wav -map_channel 0.0.3 3.wav -map_channel 0.0.4 4.wav -map_channel 0.0.5 5.wav -map_channel 0.0.6 6.wav -map_channel 0.0.7 7.wav

But because this is a command line tool, you could create some powerful automated workflows for your modular outputs now that you know this technique.

Sound Devices, the folks who make excellent multichannel recorders, also have a free Mac and Windows tool called Wave Agent which handles this task if you want a GUI instead of the command line.

https://www.sounddevices.com/products/accessories/software/wave-agent

That’s worth keeping around, too, since it can also mix and monitor your output. (No Linux version, though.)

Record away!

Bonus tutorial here – the other thing apart from recording you’ll obviously want with VCV Rack is some hands-on control. Here’s a nice tutorial this week on working with BeatStep Pro from Arturia (also a favorite in the hardware modular world):

I really like this way of working, in that it lets you focus on the modular environment instead of juggling tools. I actually hope we’ll see a Fundamental module for the task in the future. Rack’s modular ecosystem changes fast, so if you find other useful recorders, let us know.

https://vcvrack.com/

Previously:

Step one: How to start using VCV Rack, the free modular software

How to make the free VCV Rack modular work with Ableton Link

The post How to make a multitrack recording in VCV Rack modular, free appeared first on CDM Create Digital Music.

VCV Rack nears 1.0, new features, as software modular matures

VCV Rack, the open source platform for software modular, keeps blossoming. If what you were waiting for was more maturity and stability and integration, the current pipeline looks promising. Here’s a breakdown.

Even with other software modulars on the scene, Rack stands out. Its model is unique – build a free, open source platform, and then build the business on adding commercial modules, supporting both the platform maker (VCV) and third parties (the module makers). That has opened up some new possibilities: a mixed module ecosystem of free and paid stuff, support for ports of open source hardware to software (Music Thing Modular, Mutable Instruments), robust Linux support (which other Eurorack-emulation tools currently lack), and a particular community ethos.

Of course, the trade-off with Rack 0.xx is that the software has been fairly experimental. Versions 1.0 and 2.0 are now in the pipeline, though, and they promise a more refined interface, greater performance, a more stable roadmap, and more integration with conventional DAWs.

New for end users

VCV founder and lead developer Andrew Belt has been teasing out what’s coming in 1.0 (and 2.0) online.

Here’s an overview:

  • Polyphony, polyphonic cables, polyphonic MIDI support and MPE
  • Multithreading and hardware acceleration
  • Tooltips, manual data entry, and right-click menus to more information on modules
  • Virtual CV to MIDI and direct MIDI mapping
  • 2.0 version coming with fully-integrated DAW plug-in

More on that:

Polyphony and polyphonic cables. The big one – you can now use polyphonic modules and even polyphonic patching. Here’s an explanation:

https://community.vcvrack.com/t/how-polyphonic-cables-will-work-in-rack-v1/

New modules will help you manage this.

Polyphonic MIDI and MPE. Yep, native MPE support. We’ve seen this in some competing platforms, so great to see here.

Multithreading. Rack will now use multiple cores on your CPU more efficiently. There’s also a new DSP framework that adds CPU acceleration (which helps efficiency for polyphony, for example). (See the developer section below.)

Oversampling for better audio quality. Users can set higher settings in the engine to reduce aliasing.

Tooltips and manual value entry. Get more feedback from the UI and precise control. You can also right-click to open other stuff – links to developer’s website, manual (yes!), source code (for those that have it readily available), or factory presets.

Core CV-MIDI. Send virtual CV to outboard gear as MIDI CC, gate, note data. This also integrates with the new polyphonic features. But even better –

Map MIDI directly. The MIDI map module lets you map parameters without having to patch through another module. A lot of software has been pretty literal with the modular metaphor, so this is a welcome change.

And that’s just what’s been announced. 1.0 is imminent, in the coming months, but 2.0 is coming, as well…

Rack 2.0 and VCV for DAWs. After 1.0, 2.0 isn’t far behind. “Shortly after” 2.0 is released, a DAW plug-in will be launched as a paid add-on, with support for “multiple instances, DAW automation with parameter labels, offline rendering, MIDI input, DAW transport, and multi-channel audio.”

These plans aren’t totally set yet, but a price around a hundred bucks and multiple ins and outs are also planned. (Multiple I/O also means some interesting integrations will be possible with Eurorack or other analog systems, for software/hardware hybrids.)

VCV Bridge is already deprecated, and will be removed from Rack 2.0. Bridge was effectively a stopgap for allowing crude audio and MIDI integration with DAWs. The planned plug-in sounds more like what users want.

Rack 2.0 itself will still be free and open source software, under the same license. The good thing about the plug-in is, it’s another way to support VCV’s work and pay the bills for the developer.

New for developers

Rack v1 is under a BSD license – proper free and open source software. There’s even a mission statement that deals with this.

Rack v1 will bring a new, stabilized API – meaning you will need to do some work to port your modules. It’s not a difficult process, though – and I think part of Rack’s appeal is the friendly API and SDK from VCV.

https://vcvrack.com/manual/Migrate1.html

You’ll also be able to take advantage of an SSE wrapper (simd.hpp) to take advantage of accelerated code on desktop CPUs, without hard coding manual calls to hardware that could break your plug-ins in the future. This also theoretically opens up future support for other platforms – like NEON or AVX acceleration. (It does seem like ARM platforms are the future, after all.)

Plus check this port for adding polyphony to your stuff.

And in other Rack news…

Also worth mentioning:

While the Facebook group is still active and a place where a lot of people share work, there’s a new dedicated forum. That does things Facebook doesn’t allow, like efficient search, structured sections in chronological order so it’s easy to find answers, and generally not being part of a giant, evil, destructive platform.

https://community.vcvrack.com/

It’s powered by open source forum software Discourse.

For a bunch of newly free add-ons, check out the wonder XFX stuff (I paid for at least one of these, and would do again if they add more commercial stuff):

http://blamsoft.com/vcv-rack/

Vult is a favorite of mine, and there’s a great review this week, with 79 demo patches too:

There’s also a new version of Mutable Instruments Tides, Tidal Modular 2, available in the Audible Instruments Preview add-on – and 80% of your money goes to charity.

https://vcvrack.com/AudibleInstruments.html#preview

And oh yeah, remember that in the fall Rack already added support for hosting VST plugins, with VST Host. It will even work inside the forthcoming plugin, so you can host plugins inside a plugin.

https://vcvrack.com/Host.html

Here it is with the awesome d16 stuff, another of my addictions:

Great stuff. I’m looking forward to some quality patching time.

http://vcvrack.com/

The post VCV Rack nears 1.0, new features, as software modular matures appeared first on CDM Create Digital Music.

Entropia free thermodynamic microstate sequencer for VCV Rack released

Geodesics Entropia

Pyer and Marc Boulé has released a new Geodesics series module for the VCV Rack modular system. Entropia is a free thermodynamic microstate sequencer. This module can be a melodic sequencer, a controllable random source, a sequenced series of VCAs, and every possible mix of each. The 8-step sequencer has two values per step and […]

The post Entropia free thermodynamic microstate sequencer for VCV Rack released appeared first on rekkerd.org.

Ethereal, enchanting Winter Solstice drone album, made in VCV Rack

It’s the shortest day of the year and first astronomical day of winter in the Northern Hemisphere. Don’t fight it. Embrace all that darkness – with this transcendent album full of drones, made in the free VCV Rack modular platform.

And really, what better way to celebrate modular than with expansive drones? Leave the on-the-grid “mad beats” and EDM wavetable presets to commercial tools. Enjoy as each modular patch achingly, slowly shifts, like a frost across a snowbank. Or something like that.

These aren’t just any drones. The compilation, for its part, is absolutely gorgeous, start to finish. It’s the work of ablaut, a Dutch-born, Suzhou-based artist living in China, with a winter wonderland worth of lush sonic shapes to send a chill up your spine. And everything came from the active VCV Rack community, where users of the open source modular platform have been avidly sharing patches and music alongside.

There’s terrific attention to detail. The group were inspired by the work of composers like La Monte Young, and … this is no lazy “pad through some reverb” work here. It’s utterly otherworldly:

We’ll hopefully take a look at some of these patches soon. If you’ve got ambient Rack creations of your own and missed out on the collaboration, we’d love to hear those, too.

The album is pay-what-you-will.

https://ablaut.bandcamp.com/album/winter-solstice-drone

https://vcvrack.com/

VCV Rack Official Facebook group

The post Ethereal, enchanting Winter Solstice drone album, made in VCV Rack appeared first on CDM Create Digital Music.

You can now add VST support to VCV Rack, the virtual modular

VCV Rack is already a powerful, free modular platform that synth and modular fans will want. But a $30 add-on makes it more powerful when integrating with your current hardware and software – VST plug-in support.

Watch:

It’s called Host, and for $30, it adds full support for VST2 instruments and effects, including the ability to route control, gate, audio, and MIDI to the appropriate places. This is a big deal, because it means you can integrate VST plug-ins with your virtual modular environment, for additional software instruments and effects. And it also means you can work with hardware more easily, because you can add in VST MIDI controller plug-ins. For instance, without our urging, someone just made a MIDI controller plug-in for our own MeeBlip hardware synth (currently not in stock, new hardware coming soon).

You already are able to integrate VCV’s virtual modular with hardware modular using audio and a compatible audio interface (one with DC coupling, like the MOTU range). Now you can also easily integrate outboard MIDI hardware, without having to manually select CC numbers and so on as previously.

Hell, you could go totally crazy and run Softube Modular inside VCV Rack. (Yo dawg, I heard you like modular, so I put a modular inside your modular so you can modulate the modular modular modules. Uh… kids, ask your parents who Xzibit was? Or what MTV was, even?)

What you need to know

Is this part of the free VCV Rack? No. Rack itself is free, but you have to buy “Host” as a US$30 add-on. Still, that means the modular environment and a whole bunch of amazing modules are totally free, so that thirty bucks is pretty easy to swallow!

What plug-ins will work? Plug-ins need to be 64-bit, they need to be VST 2.x (that’s most plugs, but not some recent VST3-only models), and you can run on Windows and Mac.

What can you route? Modular is no fun without patching! So here we go:

There’s Host for instruments – 1v/octave CV for controlling pitch, and gate input for controlling note events. (Forget MIDI and start thinking in voltages for a second here: VCV notes that “When the gate voltages rises, a MIDI note is triggered according to the current 1V/oct signal, rounded to the nearest note. This note is held until the gate falls to 0V.”)

Right now there’s only monophonic input. But you do also get easy access to note velocity and pitch wheel mappings.

Host-FX handles effects, pedals, and processors. Input stereo audio (or mono mapped to stereo), get stereo output. It doesn’t sound like multichannel plug-ins are supported yet.

Both Host and Host-FX let you choose plug-in parameters and map them to CV – just be careful mapping fast modulation signals, as plug-ins aren’t normally built for audio-rate modulation. (We’ll have to play with this and report back on some approaches.)

Will I need a fast computer? Not for MIDI integration, no. But I find the happiness level of VCV Rack – like a lot of recent synth and modular efforts – is directly proportional to people having fast CPUs. (The Windows platform has some affordable options there if Apple is too rich for your blood.)

What platforms? Mac and Windows, it seems. VCV also supports Linux, but there your best bet is probably to add the optional installation of JACK, and … this is really the subject for a different article.

How to record your work

I actually was just pondering this. I’ve been using ReaRoute with Reaper to record VCV Rack on Windows, which for me was the most stable option. But it also makes sense to have a recorder inside the modular environment.

Our friend Chaircrusher recommends the NYSTHI modules for VCV Rack. It’s a huge collection but there’s both a 2-channel and 4-/8-track recorder in there, among many others – see pic:

NYSTHI modules for VCV Rack (free):
https://vcvrack.com/plugins.html#nysthi
https://github.com/nysthi/nysthi/blob/master/README.md

And have fun with the latest Rack updates.

Just remember when adding Host, plug-ins inside a host can cause… stability issues.

But it’s definitely a good excuse to crack open VCV Rack again! And also nice to have this when traveling… a modular studio in your hotel room, without needing a carry-on allowance. Or hide from your family over the holiday and make modular patches. Whatever.

https://vcvrack.com/Host.html

The post You can now add VST support to VCV Rack, the virtual modular appeared first on CDM Create Digital Music.

You can now add VST support to VCV Rack, the virtual modular

VCV Rack is already a powerful, free modular platform that synth and modular fans will want. But a $30 add-on makes it more powerful when integrating with your current hardware and software – VST plug-in support.

Watch:

It’s called Host, and for $30, it adds full support for VST2 instruments and effects, including the ability to route control, gate, audio, and MIDI to the appropriate places. This is a big deal, because it means you can integrate VST plug-ins with your virtual modular environment, for additional software instruments and effects. And it also means you can work with hardware more easily, because you can add in VST MIDI controller plug-ins. For instance, without our urging, someone just made a MIDI controller plug-in for our own MeeBlip hardware synth (currently not in stock, new hardware coming soon).

You already are able to integrate VCV’s virtual modular with hardware modular using audio and a compatible audio interface (one with DC coupling, like the MOTU range). Now you can also easily integrate outboard MIDI hardware, without having to manually select CC numbers and so on as previously.

Hell, you could go totally crazy and run Softube Modular inside VCV Rack. (Yo dawg, I heard you like modular, so I put a modular inside your modular so you can modulate the modular modular modules. Uh… kids, ask your parents who Xzibit was? Or what MTV was, even?)

What you need to know

Is this part of the free VCV Rack? No. Rack itself is free, but you have to buy “Host” as a US$30 add-on. Still, that means the modular environment and a whole bunch of amazing modules are totally free, so that thirty bucks is pretty easy to swallow!

What plug-ins will work? Plug-ins need to be 64-bit, they need to be VST 2.x (that’s most plugs, but not some recent VST3-only models), and you can run on Windows and Mac.

What can you route? Modular is no fun without patching! So here we go:

There’s Host for instruments – 1v/octave CV for controlling pitch, and gate input for controlling note events. (Forget MIDI and start thinking in voltages for a second here: VCV notes that “When the gate voltages rises, a MIDI note is triggered according to the current 1V/oct signal, rounded to the nearest note. This note is held until the gate falls to 0V.”)

Right now there’s only monophonic input. But you do also get easy access to note velocity and pitch wheel mappings.

Host-FX handles effects, pedals, and processors. Input stereo audio (or mono mapped to stereo), get stereo output. It doesn’t sound like multichannel plug-ins are supported yet.

Both Host and Host-FX let you choose plug-in parameters and map them to CV – just be careful mapping fast modulation signals, as plug-ins aren’t normally built for audio-rate modulation. (We’ll have to play with this and report back on some approaches.)

Will I need a fast computer? Not for MIDI integration, no. But I find the happiness level of VCV Rack – like a lot of recent synth and modular efforts – is directly proportional to people having fast CPUs. (The Windows platform has some affordable options there if Apple is too rich for your blood.)

What platforms? Mac and Windows, it seems. VCV also supports Linux, but there your best bet is probably to add the optional installation of JACK, and … this is really the subject for a different article.

How to record your work

I actually was just pondering this. I’ve been using ReaRoute with Reaper to record VCV Rack on Windows, which for me was the most stable option. But it also makes sense to have a recorder inside the modular environment.

Our friend Chaircrusher recommends the NYSTHI modules for VCV Rack. It’s a huge collection but there’s both a 2-channel and 4-/8-track recorder in there, among many others – see pic:

NYSTHI modules for VCV Rack (free):
https://vcvrack.com/plugins.html#nysthi
https://github.com/nysthi/nysthi/blob/master/README.md

And have fun with the latest Rack updates.

Just remember when adding Host, plug-ins inside a host can cause… stability issues.

But it’s definitely a good excuse to crack open VCV Rack again! And also nice to have this when traveling… a modular studio in your hotel room, without needing a carry-on allowance. Or hide from your family over the holiday and make modular patches. Whatever.

https://vcvrack.com/Host.html

The post You can now add VST support to VCV Rack, the virtual modular appeared first on CDM Create Digital Music.

VCV Rack – Kostenloses Modularsystem nutzt Plug-ins als Modul!

VCV HostVCV Host

VCV ist das bekannte und kostenfreie Software-Modularsystem im Stile von Eurorack-Modulen. Es bekommt eine mächtige neue Funktion, den VCV-Host!

Audulus hatte immer einen Vorteil gegenüber VCV, nämlich dass ein Plug-in als solches auch als Modul eingebaut werden konnte. Das hat VCV jetzt mit dem VCV-Host auch zu bieten. Es gibt zwei Typen von Modulen, nämlich für Effekte und ein weiteres für Synthesizer. Die Effekte sind natürlich für reine Audio-Veränderung.

VCV-Host – her mit den Plug-ins!

Jetzt kann man beispielsweise einen Eventide-Hall als FX einhängen und diesen über die Eingänge automatisieren, mit LFOs, Hüllkurven und so weiter versehen und alles tun, was man in einem Modulsystem tun kann. Allein das ist schon sehr stark, denn die Animation muss nicht mehr aufgezeichnet werden, sondern kann vollkommen autark im Modularsystem hergestellt werden.

Dasselbe gilt für einen Synthesizer. Nehmen wir mal an, Diva ist jetzt der eingebundene Synthesizer. So kann man mit ihm einen drei Moog-Oszillatoren haben und lässt einfach die Filter und so weiter weg. Jetzt kann man im Modulsystem das Ergebnis in einem VCV-Modul filtern und weiterverarbeiten und sogar weitere Oszillatoren hinzufügen. Wie wär’s mit einem Minimoog, der 8 Oszillatoren hat und 4 LFOs? Oder einen Sequencer dazu?

Genau darin liegt die Stärke von VCV, ebenso könnte man zum Beispiel mit Filterscape von U-He ein einzigartiges Filter als FX einbauen und es so benutzen, als wäre es eben ein Modul.

Infos

Video

Use VST plugins in VCV Rack modular synth with new Host modules

VCV Host modules

VCV has launched Host, a new plugin for the VCV Rack open-source virtual modular synthesizer featuring two modules for hosting VST plugins inside VCV Rack. The plugin allows you to control up to 16 VST automation parameters and MIDI controls with CV in Rack. For hosting VST instruments, synthesizers, samplers, and sound generators, use Host, […]

The post Use VST plugins in VCV Rack modular synth with new Host modules appeared first on rekkerd.org.

Eerie, amazing sounds from tape loops, patches – like whales in space

Fahmi Mursyid from Indonesia has been creating oceans of wondrously sculpted sounds on netlabels for the past years. Be sure to watch these magical constructions on nothing but Walkman tape loops with effects pedals and VCV Rack patches – immense sonic drones from minimal materials.

Fahmi hails from Bandung, in West Java, Indonesia. While places like Yogyakarta have hogged the attention traditionally (back even to pre-colonial gamelan kingdom heydeys), it seems like Bandung has quietly become a haven for experimentalists.

He also makes gorgeous artworks and photography, which I’ve added here to visualize his work further. Via:

http://ideologikal.weebly.com/

This dude and his friends are absurdly prolific. But you can be ambitious and snap up the whole discography for about twelve bucks on Bandcamp. It’s all quality stuff, so you could load it up on a USB key and have music when you’re away from the Internet ranging from glitchy edges to gorgeous ambient chill.

Watching the YouTube videos gives you a feeling for the materiality of what you’re hearing – a kind of visual kinetic pcture to go with the sound sculpture. Here are some favorites of mine:

Via Bandcamp, he’s just shared this modded Walkman looping away. DSP, plug-in makers: here’s some serious nonlinearity to inspire you. Trippy, whalesong-in-wormhole stuff:

The quote added to YouTube from Steve Reich fits:

“the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound-to-sound) details and the overall form simultaneously. (Think of a round or infinite canon.)”

He’s been gradually building a technique around tapes.

But there’s an analog to this kind of process, working physically, and working virtually with unexpected, partially unstable modular creations. Working with the free and open source software modular platform VCV Rack, he’s created some wild ambient constructions:

Or the two together:

Eno and Reich pepper the cultural references, but there are aesthetic cues from Indonesia, too, I think (and no reason not to tear down those colonial divisions between the two spheres). Here’s a reinterpretation of Balinese culture of the 1940s, which gives you some texture of that background and also his own aesthetic slant on the music of his native country:

Check out the releases, too. These can get angular and percussive:

— or become expansive soundscapes, as here in collaboration with Sofia Gozali:

— or become deep, physical journeys, as with Jazlyn Melody (really love this one):

Here’s a wonderful live performance:

I got hooked on Fahmi’s music before, and … honestly, far from playing favorites, I find I keep accidentally running over it through aliases and different links and enjoying it over and over again. (While I was just in Indonesia for Nusasonic, it wasn’t the trip that made me discover the music – it was the work of musicians like Fahmi that were the reason we all found ourselves on the other side of the world in the first place, to be more accurate. They discovered new sounds, and us.) So previously:

The vaporwave Windows 98 startup sound remix no one asked for

http://ideologikal.weebly.com/

https://ideologikal.bandcamp.com/

The post Eerie, amazing sounds from tape loops, patches – like whales in space appeared first on CDM Create Digital Music.

VCV Intros Scalar Quantizer & Scale Tuner

VCV has introduced Scalar – q quad quantizer for the VCV Rack modular synthesizer platform. … Read More VCV Intros Scalar Quantizer & Scale Tuner