Diversion synthesizer by Dmitry Sches on sale for $69 USD!

For a limited time only you can grab the Diversion synthesizer instrument by Dmitry Sches at a discount of up to 59% off, exclusively at Plugin Boutique. Diversion offers 4 oscillators with a wide range of different waveforms with a near to zero level of aliasing. Synthesis techniques include FM, RM, wave shaping and filtering […]

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Acon Digital releases Verberate 2 with revolutionary Vivid Hall algorithm

Acon Digital Verberate 2

Acon Digital has announced the release of version 2 of its acclaimed reverb plugin Verberate. Verberate 2 introduces a new late reverb algorithm called Vivid Hall that is based on entirely new technology and is designed for natural and pristine reverb tails without repeating patterns, resonances or other artifacts. “We are very excited about the […]

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Nembrini Audio offers LoFi Vintage Clipper plugin for FREE (limiter time)

Nembrini Audio LoFi Vintage Clipper

Nembrini Audio has launched with the release of LoFi Vintage Clipper, an effect plugin that adds grit and weight to your mix with two distinctive custom designed saturation algorithms. Distortion: this is a fine tuned clip algorithm designed to limit the transients as happens using a real analogue signal chain and increase the density of […]

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Impulse Record releases Convology XT convolution reverb incl. Free Factory Plugin

Impulse Record Convology XT

Impulse Record has launched a convolution reverb plugin in collaboration with Wave Arts. The Convology XT Complete library comes loaded with close to 3,000 vintage impulse response files from 126 different pieces of vintage outboard gear. Everything you’d expect from a world class plugin and more – Zero latency, “Scale” functions of Stretch and Decay, […]

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UVI’s Rotary Speaker Emulation plugin is on sale for $49 USD!

UVI Rotary Sale

UVI has launched a limited time sale on Rotary, a rotary speaker emulation with modern controls and independent mic placement for sophisticated tone shaping. Inspired by historic rotary speaker cabinets, Rotary brings a gorgeous vintage tone, deep control and an expensive sonic range useful to any instrument, from keyboard and guitar setups to contemporary sounds, […]

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NI Massive X synth sees first features, interface revealed

Native Instruments’ Massive synth defined a generation of soft synths and left a whole genre or two in its wake. But its sequel remains mysterious. Now the company is revealing some of what we can expect.

First, temper your expectations: NI aren’t giving us any sound samples or a release date. (It’s unclear whether the blog talking about “coming months” refers just to this blog series or … whether we’re waiting some months for the software, which seems possible.)

What you do get to see, though, is some of what I got a preview of last fall.

After a decade and a half, making a satisfying reboot of Massive is a tall order. What’s encouraging about Massive X is that it seems to return to some of the original vision of creator Mike Daliot. (Mike is still heavily involved in the new release, too, having crafted all 125 wavetables himself, among other things.)

So Massive X, like Massive before it, is all about making complex modulation accessible – about providing some of the depth of a modular in a fully designed semi-modular environment. Those are packaged into a UI that’s cleaner, clearer, prettier – and finally, scalable. And since this is not 2006, the sound engine beneath has been rewritten – another reason I’m eager to finally hear it in public form.

Massive X is still Massive. That means it incorporates features that are now so widely copied, you would be forgiven forgetting that Massive did them first. That includes drag-and drop modulation, the signature ‘saturn ring’ indicators of modulation around knobs, and even aspects of the approach to sections in the UI.

What’s promising is really the approach to sound and modulation. In short, revealed publicly in this blog piece for the first time:

Two dedicated phase modulation oscillators. Phase modulation was one of the deeper features of the original – and, if you could figure out Yamaha’s arcane approach to programming, instruments like the DX7. But now it’s more deeply integrated with the Massive architecture, and there’s more of it.

Lots of noise. In addition to those hundred-plus wavetables for the oscillators, you also get dozens of noise sources. (Rain! Birdies!) That rather makes Massive into an interesting noise synth, and should open up lots of sounds that aren’t, you know, angry EDM risers and basslines.

New filters. Comb filters, parallel and serial routing, and new sound. The filters are really what make a lot of NI’s latest generation stuff sound so good (as with a lot of newer software), so this is one to listen for.

New effects algorithms. Ditto.

Expanded Insert FX. This was another of the deeper features in Massive – and a case of the semi-modular offering some of the power of a full-blown modular, in a different (arguably, if you like, more useful) context. Since this can include both effects and oscillators, there are some major routing possibilities. Speaking of which:

Audio routing. Route an oscillator to itself (phase feedback), or to one another (yet more phase modulation), and make other connections you would normally expect of a modular synth, not necessarily even a semi-modular one.

Modulators route to the audio bus, too – so again like modular hardware, you can treat audio and modulation interchangeably.

More envelopes. Now you get up to nine of these, and unique new devices like a “switcher” LFO. New “Performers” can use time signature-specific rhythms for modulation, and you can trigger snapshots.

It’s a “tracker.” Four Trackers let you use MIDI as assignable modulation.

Maybe this is an oversimplification, but at the end of the day, it seems to me this is really about whether you want to get deep with this specific, semi-modular design, or go into a more open-ended modular environment. The tricky thing about Massive X is, it might have just enough goodies to draw in even the latter camp.

And, yeah, sure, it’s late. But … Reaktor has proven to us in the past that some of the stuff NI does slowest can also be the stuff the company does best. Blame some obsessive engineers who are totally uninterested in your calendar dates, or, like, the forward progression of time.

For a lot of us, Massive X will have to compete with the fact that on the one hand, the original Massive is easy and light on CPU, and on the other, there are so many new synths and modulars to play with in software. But let’s keep an eye on this one.

And yes, NI, can we please hear the thing soon?

https://blog.native-instruments.com/massive-x-lab-welcome-to-massive-x/

Hey, at least I can say – I think I was the first foreign press to see the original (maybe even the first press meeting, full stop), I’m sure because at the time, NI figured Massive would appeal only to CDM-ish synth nerds. (Then, oops, Skrillex happened.) So I look forward to Massive X accidentally creating the Hardstyle Bluegrass Laser Tag craze. Be ready.

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Imaginando’s DRC synthesizer plugin is on sale for $69 USD

DRC 30 OFF sale

Plugin Boutique has launched a sale on the DRC Polyphonic Synthesizer by Imaginando, offering a 30% discount for the next few days. DRC was designed to be a simple and powerful synthesizer, allowing beginners as well as experienced users to take control of the full potential of its sonic capabilities. DRC features Up to 8 […]

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Blue Cat releases Re-Guitar tone modeling effect plugin, Axiom updated

Blue Cat's Re Guitar

Blue Cat Audio has announced the release of Blue Cat’s Re-Guitar, a new guitar tone modeling plugin capable of emulating an infinite number of guitars out of a single instrument. Re-Guitar can simulate many kinds of guitar tones (electric or acoustic), regardless of the solid body guitar model used for recording: you can change the […]

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Signum Audio updates BUTE Limiter plugin to v1.0.1

BUTE L Surround

Signum Audio has announced an update to its newly released BUTE Limiter audio effect plugin. Version 1.0.1 of the limiter is now included with the BUTE Loudness Suite. Signum Audio’s new high-end limiter promises to deliver “seriously smooth, ultra-transparent limiting whilst guaranteeing no true peak overshoots”. The company says it is driven by a new […]

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Save 73% on BASSalicious & Pure Synth Platinum 2 virtual instruments

VST Buzz BASSalicious & Pure Synth Platinum 2

VST Buzz has launched a sale on the BASSalicious & Pure Synth Platinum 2 virtual instruments from Gospel Musicians, offering the bundle of both of only 79 EUR for the next two weeks. “BASSalicious & Pure Synth Platinum 2” brings together two incredible sounding, highly playable and above all inspirational libraries that have been designed […]

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