Wenn man Blaswandler-Demos hört, versucht man meist das akustische Vorbild zu simulieren. Ein fataler Fehler, denn dann verkommt das Instrument zu etwas, das irgendetwas nachahmt, langweilig.
Es geht auch anders. Dass diese Instrumente meist seltsame Namen haben, ist wohl auch hier nicht anders. „Audio“ spricht man den Namen der Firma aus, und trotzdem lohnt sich der Blick und das Ohr auf die Demo, da sie einfach anders ansetzt. Am Ende des Videos bekommt man einen Eindruck, was man mit dem Instrument auch spielen könnte.
Aodyo Sylphyo Blaswandler
Die Offenheit der klassischen Klientel „Bläser“ ist leider seltener offen als Synth-Leute, die sich auf so etwas einspielen. Aber du könntest ja der erste sein, der das Teil mal richtig ausspielt, ohne Sax-Emulationen. Das Instrument ist jetzt kein simpler „MIDI-Controller“ mehr, sondern eher ein Instrument geworden. Es gibt einen Eingang für Zuspieler. Das ist etwas, was gerade die Instrumentalisten öfter mal tun und befreundete Musiker der Zunft tun das, damit man eben noch Drums oder Arrangements hat. Auch das ließe sich ausbauen. Zumindest könnte man sich vorstellen, das Spielprinzip zu lernen, denn es ist sehr breit anpassbar.
Es ist ansich ganz einfach: Es gibt ein Griffsystem, eine kleine Box, die Netzteil und Elektronik enhält und den Blaswandler mit Klangerzeugung. Der Klang startet nicht mit einer Hüllkurve, sondern wird per Blasdruck eingefadet. Es ist eben kein MIDI-Instrument im klassischen Sinne, da man „die Hüllkurve“ selbst spielt. Es gibt MIDI-In/Out, USB-„to Host“ und eine Stromversorgung mit USB-Anschluss (wie bei der Boutique-Serie von Roland).
Man kann das Instrument kippen und durch Heben und Senken die Sounds beeinflussen. So kann man auch Drones mehr als nur „starten“. Der Blaswandler ist natürlich „wireless“, Kabel würden nur stören. Er kommuniziert mit dem kleinen Würfel in dem die Elektronik houst. Der Wandler hat auch einen Ribbon-Controller, um Bendings und Klangänderungen zu steuern. Es gibt alle gängigen Finger-Systeme von Saxophon bis Flöte und ein Display auf der unteren Seite, wo weitere Bedienelemente zu finden sind. Am Wandler gibts auch den Köpfhörerausgang. Lippendruck ist das einzige, was nicht verarbeitet wird. Für so etwas muss man die teureren Angebote anschauen.
Eine PDF-Übersicht für Eilige gibt es hier. Die Website zeigt das Instrument von allen Seiten, der Store geben noch weitereInformationen und Videos zum Sylphyo. Der Preis beträgt 800 Euro.
The Sylphyo – a new electronic musical instrument with advanced blowing control and wireless MIDI support – is being made available via an IndieGoGo campaign. The Sylphyo is designed to provide access to the expressive world of wind instrument to any … Continue reading →
The man who gave harmonicas a boldly futuristic vision is lost to us. We’ve learned that Walter Müller, inventor of the MIDI wind controller Millioniser, died this month. Rock Erickson of Millioniser writes with the news, and updates us on plans to carry on with the Millioniser as well as to honor Müller’s memory. (See the groovy video from 1983 promoting this creation.)
I am sad to announce that Walt Miller (Walter Müller) Inventor of Millioniser (midi wind controller) has died in Switzerland on 10.13.2011. Millioniser introduces HIP™ Technology (Harmonica In Principal) which enables the user to sound notes via mouth position
rather than finger position.
Walter’s family and friends visited him often and I will miss my dear friend. Walter was a famous harmonica player who entertained in
films, grand performances such as the likes of the Queen of England, and was also an inventor. Walter originated The Millioniser. Please feel free to leave your thoughts and condolences on the live site comment page – http://www.millioniser.com/#!live-site-comments
– for Walt’s family and
friends. We miss you already, dear friend. You can learn more about Walt Miller by clicking the links with his name attached on the site.
It is being constantly updated so please feel free to contribute. Walter’s family, Ronald Schlimme Millioniser Engineer, and myself
will keep you posted of the new developments of Millioniser.
Walt Miller July 17
1927 – October 13 2011 RIP Dear Friend
My condolences to family, friends, and colleagues. And if there are any Millioniser players out there amongst the CDM readers, we’d love to hear from you.
Via comments from last month, more on the Millioniser (with videos):
Provided by Ronald Schlemme -Millioniser Engineer
The history of the Millioniser
The Millioniser is a harmonica wind synthesizer, invented by Walt Miller (Walter Müller).
From the idea to the Millioniser
The Milloniser was developed in a period of 5 years before it hit the market as the “Millioniser 2000”.
In 1979, Walter Miller together with Harald Blobel and Urs-Peter Studer developed a prototype which could control a Roland Promars analogue synthesizer. The first control unit was still quite bulky, but its functions were working exactly as expected. With this unit, the two records “Xmas and you” and “Perfidia” were produced.
In succession, a new control unit was developed by Urs-Peter Studer. This control unit was beautiful and elegant. It was intended for the use as a controller for a Promar Synthesizer. Unfortunately, the production was very expensive and complex. Because of this, Walter Miller was looking for a funding partner, which makes a redesign with its own synthesizer possible. At the same time he was looking for an engineer with experience in musical electronics.
In 1982, Ronald Schlimme of SM Elektronik AG joined the team. The first job was to implement a standardized interface to normal synthesizers. Further, different aspects of modulating the sound had to be explored. A Roland Modular System 100M, a Moog Prodigy and different additional devices like equalizer, exiter, hall, chorus and phaser were used for this. The results were truly striking. A violinist was baffled about the authenticity while listening to Walter Miller playing on the Millioniser prototype. Similarly amazed was a trumpet player who was working as an instrument maker for brass instruments. The Millioniser can control 8 octaves or in other words, from a tuba up to a piccolo trumpet.
In 1982/83, a polyphonic controller was developed, which could control a Roland Jupiter 4 synthesizer. The results were impressive.
Finally in September of 1983, the long awaited funding of the Millioniser company in London became a reality.
The development of the Millioniser
In October 1983, the development of the new Millioniser 2000 started and everything was redesigned. The team: Alex Bärtschi, Peter Benz, Walter Müller, Wolfi Peccoraio, Marcel Rothen, Ronald Schlimme, Urs-Peter Studer, Felix Thommen
Design, casing construction for the control unit and synthesizer, electronics, software, test software, manual, presets (sounds), prototype and production documents.
The design phase started in October of 1983 and in April 1984, four working Millionisers were presented in the Sheraton in Zurich and Hilton in Basel. From the idea to the finished product in only 5 months. Housing plastic design and zinc injection die casting were not an easy task for Urs-Peter Studer and Injecta AG.
Enclosure design by Walt Miller and Conran from London. The brilliant idea was to bevel the edge of the control unit, which gave it a slimmer appearance.
The very first single chip microcontroller from Motorola with analogue inputs were used for the control unit. Motorola advertised these chips with the slogan: “We produce the processor; you play the music on it”. We then sent a letter to Motorola Europe in Geneva with the note “We would like to play music on the chip, but unfortunately, they are not available”. We then got plenty of support by Motorola in the form of sample chips and the head of the department for single chip processors and one of the developers showed their interest and support by visiting The Millioniser Team in Basel.
Alex Bärtschi was the developer of the control unit electronics and software. Alex couldn’t understand why his calculations for the optocouplers didn’t match the results he observed. Then we found out that they have a memory effect. We then inverted the logic and all of a sudden it worked like a charm. The application engineer of Telefunken (the supplier of the optocouplers) was baffled when we explained that inverting the logic works better when sampled at 3000 times a second.
Rock Erickson is the original Millioniser tester from USA and played the first control unit which was white in color.
Ronald Schlimme was project leader and responsible for the Millioniser software and synthesizer design and implementation. The test software was written by Peter Benz and Ronald Schlimme. Everything was written in Assembler because the timing was critical. The engineering was finished in March 1984. Early in April, two presentations in the Sheraton (in front of the Sheraton in Zurich) and in the Hilton in Basel were held.
We sent 800 invitations and expected around 100 visitors. To our surprise, over 400 came!
The hall was very crowded and everyone was eager to see that which they had never seen before.
In April, the manufacturing documents and a prototype were sent to the producer in Cardiff, Wales.
In Closing: This whole development of Millioniser 2000 which is more complex than the modern PC of today took only 6 months from paper to production. Note, the engineering was without CAD software support. It was before the invention of the IBM-PC and the first CAD system had just been released.
I welcome any questions, comments, collaborations. -Rock