Here’s what artists in the 50-hour Moogfest live stream have to say

As Moogfest runs an international, 50-hour livestream of women and transgender artists, here are those voices talking about music, technology, and inspiration.

We’ll update this piece as we hear from more artists, so keep reloading in the next couple of days for more. (At top: Ana Paula Santana.)

See also our full writeup of this project and the first wave lineup announcement from the festival. All images courtesy Moogfest and the artists.

Ana Paula Santana (Guadalajara, Mexico)

1. What was your first access to electronic music technology? Where did you go to learn more about it – and did you find any obstacles to doing so?

I started to do experimental sound compositions when I was working for a Mexican radio as an editor. In the beginning I was doing soundscape with some electronic instruments in Ableton Live, and then I integrated different keyboards and voice. After a wile doing this I went to Barcelona to study a master degree in sound art, and there I met electronic musicians with whom I collaborated. From this last experience I learned many tricks and techniques to create with.

2. What is your choice of instrumentation for the stream, and where in it do you draw inspiration?

I’m going to play with a Microkorg synthesizer, four contact microphones and one midi interface. I also do atmospheres with my voice and I use the feedback in the space as a frequency generator to play with in the midi keyboard.

I’m inspired by constant machine sounds, the sound of the city and the speed in contrast with natural and random soundscapes. I’m also inspired by love stories; ’cause what I do I think it has a lot of melancholy in it.

3. What does it mean to participate in this stream for you?

I’m very happy, it’s a great opportunity to share my work and I love the idea of it being a festival to celebrate the creation of female sound; also I feel very honored to share my work together with artist who I admire.

FARI B (London, UK)

1. What was your first access to electronic music technology? Where did you go to learn more about it – and did you find any obstacles to doing so?

Through sewing and knitting I learned algorythmic thinking, and I studied acoustic music and later journalism which taught my how to edit sound. But at 12 I had a ZX Spectrum…! I used to load the games with a cassette player…
Obstacles were there was no culture among my friends to learn this stuff, or my schools or colleges, I had to find my interest group by volunteering at an arts music radio station called Resonance 104.4FM in 2004 as an engineer.

2. What is your choice of instrumentation for the stream, and where in it do you draw inspiration?

A whole load of found objects and hand made instruments and keyboard…inspiration comes from the many journeys and performances Ive done around the world, from Novi Sad to Isle of Wight.

3. What does it mean to participate in this stream for you?

That something’s shifting in interest and perception, about whose voices we are listening to. Mainstream can’t cater for everyone! Humanity is starting to reflect itself back at itself in media properly, at last.

Maia Koenig (Buenos Aires, Argentina)

1. What was your first access to electronic music technology? Where did you go to learn more about it? Did you find any obstacle to doing it?

In 2008 I started playing in Mielcitas Trash Me where I played bass, I did not have money and I needed a distortion pedal, I found a friend who helped me build it, from there I relate to electronics in a very intuitive way. It’s a little complicated at the beginning, but after you let go, encouraging a new project “D.I.Y” is always an enriching challenge.

2. What is your choice of instrumentation for the broadcast and where is it inspired?

In the last few years I have been playing mostly Gameboy with the LSDJ tracker, I also incorporate a casio pt80 keyboard, a cacophonator (DIY), and something else that comes up in the moment, I like to improvise with the environment and energy that instant in the only one that I live, the present.

3. What does it mean to participate in this current for you?

The electric current, the action / reaction, an impulse, an expansive flare, the electromagnetic network that unites us in a sometimes very destructive world, where music and other arts are part of a transmutation, that’s why noise is necessary as a protest aware that we can change things a little.

Nesa Azabikhah< (Tehran, Iran)

1. What was your first access to electronic music technology? Where did you go to learn more about it? Did you find any obstacle to doing it?

My first access to electronic music would be purchasing a software by the name of “FL Studio“. I started working with the software and getting more familiar and involved with electronic music. Also, before I purchased this software I also started working with CDJ and DJ mixer. In addition, I also started learning from people around me who also played at that time. So I started using FL Studio, Logic, Reason, and now I work with Ableton.

2. What is your choice of instrumentation for the broadcast and where is it inspired?

What I have chosen for this steam is a one hour dj set from different music genre. I’m using my laptop, cdj and mixer. I’m not using any instruments, because I’m not playing live and I’m only playing a one hour dj set. Because, since I have more than one play I didn’t have the opportunity to prepare a live for this stream and that’s why my only choice was a dj set.

3. What does it mean to participate in this current for you?

Lastly, I have to say I am very excited and mostly honored to be part of the 50 artist for this live stream. I’m also happy to be part of this team. This a new and interesting experience for me. I am also looking forward to see even more growth and accomplishment for the women artists and artist who are part of the transgendered and non-binary community.

The post Here’s what artists in the 50-hour Moogfest live stream have to say appeared first on CDM Create Digital Music.

Watch Moogfest kick off with epic 50-hour livestream, lineup – minus men

Women and transgender artists have too often seen their work in electronic music pushed to the margins. Moogfest’s launch this year puts them first.

Moogfest this year promises to have the mix they’ve been brewing in the latest editions: part music festival, part conference, with music and music technology meeting up with larger themes around science and innovation. The difference is, instead of the presence of female and transgender artists being just another box for curators to tick — “hey, look, we booked some women” — here, they’re leading the announcement. That includes both a 50-hour livestream of back-to-back sets from a pretty amazing and diverse set of artists, plus the first wave announcement of artists.

Here’s Madame Gandhi explaining the idea:

The result is a mixture of people you know really well (legends like Suzanne Ciani, Moor Mother) alongside a lot of artists who are almost certainly new to you – particularly as they’ve been drawn from disparate genres and geographies. Indeed, these are the kind of people who have been quietly pushing music in new directions, but who might get lost in the fine print of music programs, or pushed to the side in music headlines. In fact, I think the upshot is a potential victory not only for gender equality, but for independent and out-of-the-mainstream music, too. And knowing CDM readers, irrespective of your gender, I think that’s a value you’re likely to enjoy seeing represented.

As Ciani tells The New York Times:

For Ms. Ciani, the theme for Moogfest 2018 is only natural. “Women have long been intimately connected to electronic music, perhaps because it offered a path outside male-dominated conventional music worlds,” she said. “What has changed is an awareness of women in the field historically as well as a huge influx of contemporary talent.”

Moogfest Shines a Spotlight on Female, Nonbinary and Transgender Musicians

To that I’d add that it’s worth noting that the “influx” and “contemporary” parts are also closely tied to international artists. Our own CDM contributor will have a conversation with a fellow Romanian woman in the Bucharest scene for one link to that; I’ve also had conversations recently with a some Iranian artists about the situation for women making music there (and the resulting international scene as they travel), and … well, look down the list of countries below.

Moor Mother, the ground-breaking experimental project of Philadelphia’s Camae Ayewa, is one of many people deserving of first-wave headliner recognition – and now getting it.

We’ll have some interviews with artists shortly, so Moogfest’s lineup is your gain, wherever you are.

To watch the livestream:

You can watch from anywhere beginning at 12pm ET on Wednesday December 6 until 2pm ET on Friday December 8.
http://AlwaysOn.Live

Or watch here:

I’m also cross-posting to our CDM Facebook page.

The schedule:

The beginning is – starting very radical, in a nice way! Unfortunately, upstream bandwidth / encoding looks … very choppy. Hoping some of the artists sort that out better. (This is a real roadblock of livestreaming, but that’s a topic for another time.)

Livestream artists:

Admina
(Bucharest, Romania)
Adriana T
(Athens, GA, USA)
Alissa Derubeis
(Asheville, NC, USA)
Amy Knoles
(Valencia, CA, USA)
Ana Paula Santana
(Guadalajara, Mexico)
Andrea Alvarez
(Buenos Aires, Argentina)
Annie Hart
(Brooklyn, NY, USA)
Awaymsg
(Durham, NC, USA)
Aseul
(Seoul, South Korea)
Bells Roar
(Albany, NY, USA)
Caz9
(Dublin, Ireland)
Club Chai (8ULENTINA & FOOZOOL)
(Bay Area, CA, USA)
Despicable Zee
(Oxford, UK)
DJ Haram
(Philadelphia, PA, USA)
Dot
(Los Angeles, CA, USA)
Ela Minus
(Bogota, Columbia)
Elles
(London, UK, USA)
Emily Wells
(New York, NY, USA)
Fari B
(London, UK)
FOSIL
(Chile, Santiago)
Galcid
(Tokyo, Japan)
Jil Christensen
(Durham, NC, USA)
KALONICA NICX
(Bandung, Indonesia)
Kandere
(Melbourne, Australia)
Katie Gately
(Los Angeles, CA, USA)
Kim Ki O
(Istanbul, Turkey)
Lauren Flax
(New York, NY, USA)
Lilith Ai
(London, UK)
Lucy Cliche
(Sydney, Australia)
Lya “Drummer”
(London, UK)
Madame Gandhi
(New Delhi, India)
Mileece
(Los Angeles, CA, USA)
Moor Mother
(Philadelphia, PA, USA)
Nazira
(Almaty, Khazakhstan)
Nesa Azadikhah
(Tehran, Iran)
Nicola Kuperus
(Detroit, MI, USA)
Nonku Phiri
(Johannesburg, South Africa)
OG Lullabies
(Washington, DC, USA)
OTOMO X (Fay Milton & Ayse Hassan)
(London, UK)
PlayPlay
(Durham, NC, USA)
Pulpy Shilpy
(Pune, India)
SARANA
(Samarinda, East Borneo)
Sassy Black
(Los Angeles, CA, USA)
Stud1nt
(Asheville, NC, USA)
Sui Zhen
(Melbourne, Australia)
Suzanne Ciani & Layne
(Bolinas, CA, USA)
Suzi Analogue
(Miami, FL, USA)
Therese Workman
(New York, NY, USA)
Vessel Skirt
(Hobart, Tasmania)
Zensofly
(Durham, NC, USA)

Of course, even better than live streaming is – being there in person. (No buffering issues! Or… if there are, seek medical attention!)

Here’s the first-wave lineup announcement, including a couple of friends (and a couple of idols)!

Amber Mark
Annie Hart
Armen Ra
Aurora Halal
Bonaventure
Carla Dal Forno
CEP (Caroline Polachek)
Caterina Barbieri
DJ HARAM
Ellen Allien
Emily Sprague
Fatima Al Qadiri
Fawkes
Gavin Rayna Russom
Helen Money
Honey Dijon
Jamila Woods
Jenny Hval
Kaitlyn Aurelia Smith
Karyyn
Katie Gately
Kristin Kontrol
Kyoka
Lawrence Rothman
Madame Gandhi
Maliibu Miitch
Midori Takada
Nadia Sirota
Nicole Mitchell
Noncompliant
Pamelia Stickney
Sassy Black
Shanti Celeste
SOPHIE
Stud1nt
Umfang
Upper Glossa

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Meet the new faces of DJing in this unique video series

mint

In the age of five- and six-figure commercialism, empty and sugary big-stage shows, “DJ” has for some become the butt of a joke, a self-caricature. But DJs are essential to music lovers – now more than ever, with a deep catalog of records past and an astounding volume of new work produced daily, with the DJs shaping tastes and tone in clubs and beyond. Even if you never step into a club, these are the people shaping the way your audience hears.

And so it’s refreshing to see the work of Mint Berlin, a booking agency augmented by parties and wokrshops that has proven its ability to be selective about its selectors, even in the cut-throat, oversaturated club scene of the German capital.

It’s worth eyeing Mint not just for whom they present, but the way in which they picture them.

Mint from Christin Mino on Vimeo.

Mint quietly assembles lineups that are all women – both for its parties and for its select workshop series called “Campus.” But rather than make that the lead item, the quality of those lineups speaks for itself, with or without the identification of gender politics.

“Faces,” the name of the video series, also neatly sums up that approach. Each event is announced by a signature, unadorned image of a DJ staring down the camera. Somehow avoiding any mug shot associations, those images carry the come-as-you-are banner of the whole affair. These are DJs are personalities, not interchangeable on one hand, but not hyped-up commercial objects on the other. That’s especially important for women working to enter the scene. I would try to count the number of women in club music who’ve told me the press or an event venue has asked them to sex up the images of themselves – depressing as this may sound, it’s more or less all of them.

Now, of course, sometimes men, too may become commoditized in some way. But that’s all the more reason even men may find sympathetic cause with groups like Mint: they’re creating an environment that could be healthier for everyone. If women are under the greatest pressure to become objects, then they also represent both the surest need and surest opportunity to point portions of the scene in the opposite direction.

This isn’t really about that issue alone, though. Stripped of that baggage, these videos – and the activism of the group behind them – represent some of the best focus on finding the best music.

I’ve been fortunate to get to hear (and in most cases, get to know) each of these DJs, and to me they represent what I find most inspiring in the scene overall. They could cure almost anyone of DJ allergy.

Esther Duijn is a resident at Tresor and Sisyphos, straddling the scenes in Amsterdam and Berlin, a lover of records ranging from house to techno. Kate Miller is an incredibly warm presence in DJ booths, creating friendly atmospheres on dance floors. Camea is an exceptional producer as well as DJ, a great representative of Get Physical and BPitch … I could go on.

Mint was also involved in a panel event last weekend, in which I was the sole member of the press (and the sole member identified as a dude), covering how the role of women in electronic music can grow. But this video series to me is the best answer of why it’s important to do that. The scene that’s more open, that’s free of obstacles to passionate people finding platforms, is simply a better scene.

For more:
http://mintberlin.de/

And anyone concerned that networks that support women will isolate them – not so; I think people supporting one another generally achieve more in their careers, and this is no exception. These are DJs to watch, full stop. Here’s some Resom Boiler Room for good measure:

And Mint’s tracks:

The post Meet the new faces of DJing in this unique video series appeared first on Create Digital Music.

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